Well, I went and ran my mouth about how other people needed to take the time to be proud of what they’ve accomplished in this year, and…if it isn’t the consequences of my own actions. I say all sorts of stupid crap about being kind to oneself, too, it’s terrible what I set myself up for. All right, okay. Here goes.<\/p>\n\n\n\n
The thing a lot of people are saying about how surviving, getting vaccinated, being kind to other people, those things are the achievements for the year: that’s really true. It really is. But also I managed to arrange retreat time for myself to work on a novel I’m still pleased with–and<\/em> I managed to identify when working on it was being really terrible for me and stop for awhile, and I consider that an achievement as well.<\/p>\n\n\n\n I also wrote a book completely for fun, unexpectedly, and revised it, and beta readers so far seem to like it. So that’s a thing I did this year. And also a bunch of short stories, an essay, some poems when I couldn’t make them stop, and bits and bobs of other things. And major planning for other other things. So yeah. Not an easy year, and I kept from calcifying, and I feel good about that. And here’s what I published:<\/p>\n\n\n\n In the Garden of My Ancestors’ Statues<\/a> (Kaleidotrope): A long time in coming. I began to feel for the trolls, for their feelings in stone, and this is what happened.<\/p>\n\n\n\n The Billionaire Shapeshifters’ Ex-Wives’ Club<\/a> (Fantasy): I wanted to make my friends laugh. I am not, by temperament, a romance writer, though I have edged much closer to it of late. So this is a bit…post-romance.<\/p>\n\n\n\n Beyond the Doll Forest<\/a> (Uncanny): About curses, and upon whom they rest. About tiny precious things. About the wilds.<\/p>\n\n\n\n So Your Grandmother Is A Starship Now: A Quick <\/a>Guide for the Bewildered (Nature Futures): Space: the final transition. These are the voyages of your gran, your auntie. Maybe you someday.<\/p>\n\n\n\n Look Away<\/a> (Daily SF): It’s a disaster, but it’s not your<\/em> disaster, right?<\/p>\n\n\n\n Planned Obsolescence<\/a> (Nature Futures): Friends, it’s a robot-dinosaur combination platter.<\/p>\n\n\n\n Oppenheimer in Valhalla<\/a> (Deadlands): Norse mythology and Manhattan Project-era physicist nerdery: friends, this is my wheelhouse. It’s also a poem.<\/p>\n\n\n\n Quieter Songs Inland (Analog): climate change when public policy doesn’t quite catch up with the important people in one’s life in time<\/p>\n\n\n\n A Worm to the Wise<\/a> (Grist Imagine 2200): climate change and finding–making–new soil for new dreams when your old dreams won’t grow<\/p>\n\n\n\n MONSTROUS BONDS<\/a> and its stories–okay this in itself was an entirely new accomplishment. I have never done a chapbook before. It was a lot<\/em> for me, and I’m really proud of it. Within it there are five stories. Two of them are reprints. The three new ones are: Without a Password<\/a> (Nature Futures): signals of belonging, working together in all new ways<\/p>\n\n\n\n The Last Navigator<\/a> (Daily SF): the closed system of generation ships, taking us somewhere new<\/p>\n\n\n\n Chalk and Carbon (Asimov’s): across spacetime, a love poem<\/p>\n\n\n\n Star Corps Crew Manual Section 15-A37: On Mental Dislocation<\/a> (Nature Futures): you’d think we’d get some regulations for this sort of thing, it keeps happening<\/p>\n\n\n\n Re-Wilding Time (Star*Line): in an infinity of possible worlds, a poem that has room for conservation<\/p>\n\n\n\n
Shrapnel from my Cousin’s Kaiju Battle: $229 Plus Shipping: family, ingenuity, friends in strange places, shaping the environment to fit new needs
Accountable Monsters: only we really understand ourselves, strange as we are
The River Horse Who Almost Ate Me, and His Lawyer: when you’re the friend in need, be sure you can be a friend indeed, even if your new friends need some unusual deeds<\/p>\n\n\n\n