Natalie Adler, Waiting on a Friend. You find this out in chapter one, it is not a spoiler: this is the story of a young lesbian in NYC in the 1980s who can see ghosts, who can see all her friends who have died of AIDS except for her best friend. When I told the young people in my life this premise they literally gasped, and they were correct to do so. It’s beautifully done, but if you think “that sounds like it would rip my heart out and repeatedly smash it with a hammer,” well, yes, you’re not wrong about that. I was up for that, and I recommend it, but no shade if you need to wait for a better day for it.
Danielle Allen, Radical Duke: How One Aristocrat–and the American Revolution–Transformed Britain. Not a particularly well-written book, but with material I wanted to know, which is in some ways the worst kind of nonfiction. Still, if you want to know about the radical politics of the Duke of Richmond and his political relationship with Thomas Paine, here’s where you can find that.
Robert Jackson Bennett, A Trade of Blood. The most recent of the Ana and Din books. I think my favorite of them so far. I like where this went and where it seems to be going. Hooray.
Agatha Christie, Five Little Pigs, Lord Edgware Dies, Sad Cypress, Sparkling Cyanide, The Hollow, The Labors of Hercules, and The Sittaford Mystery. Kindle. Look what the library’s digital collection got in from my holds list in time for me to travel. Yep, these sure are by Agatha Christie. The Labors of Hercules is a short story collection, and I continue to find mystery shorts unsatisfying; ah well.
Madelaine Drohan, He Did Not Conquer: Ben Franklin’s Failure to Annex Canada. Too much boyfriend, not enough roller derby. Ope, sorry, that is: too much Ben Franklin, not enough Canada. You can read about Ben Franklin all sorts of other places and not nearly enough about the inter-British-colony politics of the 1770s. Ah well, it’s a start at least.
Safia Elhillo, The January Children. For me this is an example of it being a good idea to read poets who don’t immediately resonate, who are coming from a different place than oneself completely. Interesting poems rather than ones that speak directly to my heart, but that’s good, I shouldn’t be the target audience for everything, and I’m not.
Barbara Hambly, Death in the Palace. Latest in her 1920s Hollywood series. If you like these, this sure is another one, and I do, so here we are.
Heide Island, Romp! A Journey Through the Natural History of Otters and Why They Matter. Delightful natural history of otters, with lots of detail about field study of them. This kind of natural history is good for my spirits, might be good for yours too.
Michael Karns, Dennis Becker, and Lisa Golden Schroeder, Untamed Mushrooms: From Field to Table (A Midwestern Guide). Things you can do with foraged mushrooms. I like foraged mushrooms. I’d thought of several of these things more or less, but not all.
T. Kingfisher, Nine Goblins and The Raven and the Reindeer. Both very short older works, very different tonally. The latter is a Snow Queen retelling, which I often like and did like in this case; the former is goblin-perspective, which I often don’t like but did this time. Like Ursula (that is, Kingfisher), I read and watched a great deal of All Creatures Great and Small as a tiny kid, so the fantasy vet helping the unicorn give birth and so on was exactly up my alley.
Just Knut Qvigstad and Isak Saba, Sámi Folktales from the Near and Far Worlds. An old compendium of folk tales, most of them with magical content, in a new translation. Beautiful, easy to read, fascinating perspective, especially because these are not retellings that are polished to fit particular molds or have palatable contemporary morals. Really good resource.
David Woodman, The First King of England: Aethelstan and the Birth of a Kingdom. When you read a lot of books about a particular topic, you start to pick out which one is for which strengths, and the major strength of this one over other books about Aethelstan is that it spends time on the Welsh and how they fit into the whole picture.
