Review copy provided by the publisher.
The characters and pacey thriller voice of this one sucked me in from page one. Josie is a compelling heroine, impatient, driven, fallible. Her relationships with the other people in her life weave through this story in ways that I found compelling. I am a pretty relationship-focused writer/reader, and this one got me good.
This is very much structured like a thriller–the chapters range from reasonably short to incredibly short, and there’s a lot of action, a lot of suspense. The central conceit is a science fictional one: nine women have born children through parthogenesis, over the course of the 1970s, living on a commune together, visited by the scientist who is building his fame through their babies. That’s the past of the story, the backstory–or half of it, because the commune burns and the surviving mothers and children scatter.
The present is the 1990s, when the babies are now adult women developing talents and interests and lives of their own. Josie is the first of the babies, now a student, trying to follow in her creator’s path. She is Girl One, the first of the parthogenetic births, giving interviews to talk shows and magazines as she tries to unravel the mysteries of her own existence. Both the ’70s and the ’90s are very well-drawn, with a perspective on each that is neither overly nostalgic nor overly cynical, and they’re a perfect combination of tone for the story that begins when Josie’s mother disappears and things start to get really dangerous.
This book has a modern thriller focus on several major science fiction concerns of the ’70s. It goes fast with a keen eye for social details. If those are things you’ve missed or wished would be updated–welcome, this one’s for you.