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A Half-Built Garden, by Ruthanna Emrys

Review copy provided by the publisher. Also the author is a long-time friend, as you will find out if you read the acknowledgments and discover that my name is in there.

The corporations that plagued Earth for so long have been forced out of dominance a generation ago and corralled into artificial islands–aislands–where their influence can be limited. The collectives who organize themselves around the watersheds have set about the hard work of making Earth inhabitable in the long-term–keeping the worst of climate change from harrowing its inhabitants farther than they already, by 2083, have suffered.

And then, one spring night, Judy Wallach-Stevens, a Chesapeake Bay area water chemist, wakes to a warning of unknown pollutants. Because she’s the nearest responsible party to investigate what turns out to be…aliens, dumping waste from their broken spaceship in the water table. Two symbiotic species of aliens, in fact! They come in peace, and they’re very excited to meet us! Very excited. So excited, in fact, that they’ve come with all sorts of assumptions about what we’re going to want to do when we meet them.


Judy and her wife Carol start first contact off on an unexpectedly right foot by having their baby with them in a sling, which to these aliens is just good manners. Almost everything else about their response is not what the Ringers expected from the first intelligence they meet outside their own solar system. Their two species agreed to break down their planets for parts, and surely when humans have the same opportunity they will follow suit. Universally. Without question. And immediately.

When have humans ever agreed to anything universally, without question, and immediately?

The two kinds of aliens, of course, didn’t either, in their own past, but that was enough generations ago for myth-building and daydreaming to build up. Judy and Carol and their family have to figure out what kind of diplomacy is called for to get the entire process to slow down to a rate everyone can cope with, before relationships with the first other sentient species humanity ever encounters are broken for good–or shaped by the worst humanity has to offer.

This is so lovely. It’s got complicated families, in which meaning well and doing well are not always the same thing–in multiple species. It’s got very crunchy real considerations of disability, cultural difference, historical weight, and watersheds. It’s got a Passover seder where Octavia Butler is quoted. Most of all, it’s got flawed, stubborn, lovable people working desperately hard for a better world, at a time when I think we all need more of that. Highly recommended.

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Books read, late April

Chaz Brenchley, The Bone Mask Boys, Chapters 4-10. Kindle. Catching up on another of Chaz’s Mars serials, this one investigating murders through different facets of the Marsport community.

Tim Clayton, This Dark Business: The Secret War Against Napoleon. The British (and some French) conspiring, propagandizing, having assassination attempts, general skullduggery. You want the sneaky side of the Napoleonic Wars, this is a start on that. People in disguise, scurrilous broadsheets blaming Napoleon for other people’s sins and forgetting to blame him for his own.

Paul Cornell, Rosebud. Discussed elsewhere.

Dennis Duncan, Index, A History of the. A charming little romp through the things people do to organize telling people about what’s in their book. Many indexing jokes included.

George Eliot, Felix Holt, the Radical. Kindle. This may be my least favorite George Eliot book, and I still enjoyed the heck out of reading it. It goes into all sorts of places about elections and local politics and was an historical novel when it was written. I feel like the middle is less conventional than I expected and the ending more so. But it’s still my girl Maryann, there are still funny and pithy observations, I still had just a darn good time reading it.

Nicola Griffith, Spear. An Arthurian novella with gender-swapping in one crucial place, and would I have been reading such a thing if it had not been written by Nicola Griffith, who can be counted upon to know what she’s doing with this era? I would not have. It’s not the straight-up historical some people attempt, though she could do that; there is definite fantasy content here. I liked but did not love it. It made me think about the ways that we take primogeniture for granted in contexts (this era of Britain for example) where it absolutely historically does not belong. Stupid primogeniture mimetic contaminants, very hard to wash off.

Michael J. Hathaway, What a Mushroom Lives For: Matsutake and the Worlds They Make. Mushroom people are so charming, and in this one Hathaway is being weird but generally sensible about the places people make unwarranted assumptions about hierarchies in multikingdom ecologies. Fungus will hold its own and serve its own ends, and this book goes into how and where.

Cat Jarman, River Kings: A New History of the Vikings from Scandinavia to the Silk Road. Jarman’s focus is very material-archaeological, which I enjoy; I have plenty of balance from written sources in other places. Lots of quite nice detail, nothing at the grand scale that startled me, but part of the reason is that I’ve been following work including Cat’s for years.

Mary Robinette Kowal, Molly on the Moon. Discussed elsewhere.

Vernon Lee, Hauntings. Kindle. This is a set of late nineteenth century weird fiction novelettes (best guess on length); if you’ve read things like that before, well, they’re definitely like that. Is someone being haunted by their great-great-grandmother? or something? maybe they’re just murdery? Yep. It’s like that.

Andri Snær Magnason, On Time and Water. Icelandic environmentalist essays about family and water and climate change and how we personally interact with something so large as a planet and an aeon.

L.M. Montgomery, Magic for Marigold. Reread. This is in the category of “verified that I still don’t like it so I can stop giving it shelf space,” also in the category of “quite mediocre late-period Montgomery,” though not in fact as bad as Mistress Pat. There is no magic in this book. When I was 9 years old there was almost nothing that made me angry faster than a book that said magic in the title and then it was a metaphor for your imaginaaaaation or the power of loooove or some nonsense like that. Okay well, nothing in book titles anyway. And this is Example #1 of that failing. Marigold doesn’t even have particularly a lot of magic in her magical imaginings. There’s just an imaginary friend whose name is Sylvia, which is your friends’ grandmas’ name. I understand that for Montgomery it was a magical dryad name but for me it was a nice old lady name, probably had Werther’s in her purse. Anyway: Sylvia did nothing. She just existed, magically, and this was terribly scandalous for Marigold’s family. Marigold played pretend. What did she play pretend? Nothing much really. Also she was terribly terribly lonely, having only Sylvia and her imaginary spice gumdrops for company (I made up the spice gumdrops, they are 100% more spice than Sylvia actually had), and so she has someone new to play with in basically every chapter. What. And then the other werid thing is that the book is substantially focused on Marigold’s earliest years, age six or seven, and is very condescending about those ages. For whom is this book written? A ten-year-old who loves reading about six-year-olds? What? Then we get her aging rapidly, doing Montgomery plots very quickly so Montgomery can turn the book in, and at the very end she learns a valuable lesson: lie about your feelings so that the people who hurt you never have a chance to grow, and you’ll get a chance to be their trusted doormat for the rest of your life. Like your mother, who wanted to name you Marigold but didn’t dare to say so but got to do so anyway by a random chance what are the odds. (ZERO. THE ODDS ARE ZERO. Like my desire to keep this book.) Oh, complete side note: this is one of absolute piles of books where there is a plot point of a character’s actions being changed by a communicable disease–if you pay attention and don’t let them sweep past you, you’ll notice it, things like Marigold not being allowed to go a particular family gathering because there were measles or mumps or scarlet fever in that town. Paying attention to virus concentrations and adjusting behavior accordingly used to be so normal it’s half a sentence on the way to something else. Watch for it.

Lynn Povich, The Good Girls Revolt: How the Women of Newsweek Sued Their Bosses and Changed the Workplace. This is short and pithy, and if you were born after about 1965 it will cover things that changed before you got here, in a workplace sense–it’s about the 1970s, mostly, and some of the staggeringly horrible ways women were treated in journalism and the ways and reasons that changed. It made me angry and tired in ways that I was already angry and tired. It is still useful to know the details. This won’t take you that long.

Qiu Xiaolong, The Mao Case. This book is extremely nerdy about historical context and Chinese idiom, and a lot of it is the characters explaining to each other what they’ve discovered about historical figures’ misdeeds. Wow are they mad about Mao and his contemporaries. And not without cause, one can certainly see that. But the mystery structure of it is…if you don’t want to read about people eating random Chinese food and nerding out about their history research, this is probably not the book for you, because the mystery structure is not very satisfying.

M.C. Ricklefs, The Seen and Unseen Worlds in Java, 1726-1749: History, Literature, and Islam in the Court of Pakubuwana II. An end of literature I did not know much about, and still don’t, but here’s a little light shone on a corner of it. Here’s a start, with ideas about who was reading what in which form and who was writing it for which political purposes.

Kate Ross, Cut to the Quick. Reread. I read this in memory of someone who died whose favorite thing was paperback mysteries. It holds up reasonably well–a Regency mystery in which the characters have horrible secrets and sometimes are melodramatic, but in reasonably entertaining ways.

Kay Ryan, The Best of It: New and Selected Poems. I spent this entire volume reading a few poems and thinking, eh, I don’t think I like her much, and then coming upon another one and going, OH ALL RIGHT FINE, KAY, YOU CAN STAY. She likes very short, choppy line lengths and the kind of observation that often think needs just a touch more insight to make it really interesting…except for the poems where it doesn’t need more at all, it’s just as it ought to be, choppy lines and all. Maddening. Probably good for me.

Sherwood Smith, Time of Daughters Book 2. The title should be a very good tipoff for how much this is a standalone book, which is to say: not much. But if you’re in the mood for the kind of epic fantasy that is conceived of very much like history and very much like tragedy–here are some people’s fixed flaws and how they play out in concert with each other, without there being a long-term thrust to it because often in life there is not–this is the rest of that kind of fantasy. As many nicknames and connections as my family reunions, which makes it a particular kind of comfort read for me.

Noel Streatfeild, The Magic Summer. Reread. Having gotten Magic for Marigold out of my system (and off my shelves), I recalled another childhood annoyance in the category of “books that say magic but don’t have it” and went to see whether I liked The Magic Summer any better as an adult. It was in fact worse with adult perspective. Much worse. The basic shape of this story is that children are sent to stay with a great-aunt during a family emergency, and she has them fend for themselves to the extent of not even providing potable water, and this is meant to be so good for them as to be magical (although the original title was The Growing Summer) and definitely not a complete asshole move. The book undermines its own premise that the children need to learn to be more self-sufficient (NO EVERYBODY NEEDS POTABLE WATER THIS IS A HILL I WILL DIE ON) in that their very first thought when their father has an emergency while traveling and their mother needs to go see to his care is that they should stay home and take care of themselves with perhaps a neighbor to look in on them. Nonsense! says the book. You must go to rural West Ireland to do all that but in an unfamiliar setting, without friends or very basic support, to learn hardiness and shun modern things! Also this great-aunt is charming and good, because she knows poetry you don’t know, and will quote it at moments that are only vaguely appropriate to the conversation! Look, I know science fiction fans like this, and I know some of how the raising of some of their kids went from the perspective of the now-adult kids, and it turns out that you can both quote quirky poetry and see to your minor children’s medical care. Simultaneously. Amazing. Screw this book and, in fact, the horse it rode in on. Actually no, I am concerned about whether the horse was properly nourished or whether someone spouted nonsense about nature’s bounty and left the horse somewhere it would be malnourished. Would someone please do a welfare check on the horse this book rode in on. Thank you. WAIT I AM NOT DONE. There is a subplot where another child is hiding with them, and they don’t know his identity, but other people do, and the entire “you like too many modern things, which suck” message is undermined by this, if these characters were as obsessed with Bad Modern Things TM as the plot wants them to be, the subplot would fall apart. It basically does anyway. The other child’s character makes no sense. This is very much in the running for Worst Streatfeild Book Ever.

E. Catherine Tobler, Sonya Taaffe, David Gilmore, et al, eds., The Deadlands Issue 12. Kindle. For me the standout story of this issue was KT Bryski’s “This Is I,” knowledgeable and fond about certain aspects of the Pre-Raphaelites without being worshipful about the ways in which they definitely did not deserve it.

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I suppose these are large, friendly letters

Don’t panic! At least not about criticism of your fiction. I have a new essay out in Uncanny today, From Panic to Process: What Taking Criticism Actually Means.

This is a bigger topic than one essay could hold, so I have all sorts of further ideas about fans taking gracefully criticism of works they love dearly, organizing and sub-organizing types of critique notes, and more. But this has the beginnings of the “taking criticism” conversation for me.

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Rosebud, by Paul Cornell

Review copy provided by the publisher.

The blurb on the front cover, from the genre’s most cheerful man, Peter Watts, suggests that this is “A scream disguised as a giggle.” If so, it’s the worst disguise ever, something along the lines of a plastic Groucho Marx nose and glasses. This is the kind of writing that reminds you that “hysterical” means not just “quite funny” but also “on the edge of a breakdown.”

There are five digital sentients crewing a spaceship together for hundreds of years–being part, more or less, of that spaceship. And they encounter a black sphere in their travels and must decide, collectively, how to continue–whether to take on physical form within their shape’s capabilities, for one thing, and what to do with their physical forms as they investigate. But the black sphere reveals to them things about their own personal and collective selves that they must process as best they can, within the limitations placed on them by their glorious savior, the all-powerful Company.

Look, if you’re in a book with an all-powerful Company and feel like things might be a good time with perhaps lemonade and a picnic, I don’t know what to tell you. It’s not just Paul Cornell, it’s that I think you’re probably new here–and some of you are new here, we get new people all the time, they’re making them every day, welcome, hi, Paul Cornell might as well warn you about all-powerful Companies and how they treat motley, bantering crews of digital found families as anybody. But for the rest of you, this novella is going to have some screamy moments that you should not need Peter Watts to tell you are coming. (You Shouldn’t Have Needed Peter Watts To Tell You It Was Coming But Here We Are I Guess: A Story of the Twenty-First Century. Ahem. I digress.) So are there whimsical moments, sure, is it in space, sure, is this a happy tale of lucky spacefarers, well, you were warned, you were absolutely warned.

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Molly on the Moon, by Mary Robinette Kowal

Review copy provided by the publisher. Also I have known Mary for Quite Some Time at conventions and Around This Here Internet. Also, since this is a picture book, illustrations by Diana Mayo.

Molly’s family moves to the moon, and she doesn’t have any toys. Well…except for one. And then another thing, and another, which she can make for herself from scraps and imagination. But her brother Luke is too little to do that for himself–too little to do anything but grab Molly’s hard-won toys and shout “bababa!”–which any big sister can tell you is infuriating.

But there are rules for how you’re allowed to treat your baby brother, even on the moon. Maybe especially on the moon. And the same ingenuity that can make toys out of bits and bobs might…maybe?…be able to make a playmate out of a pesky little brother.

The illustrations contrast the cool blue of the lunar module home with the warm brown skin of Molly and her family, their faces expressive and deftly sketched. Especially good for space-focused kids who may want to think about what it would be like to “REALLY REALLY” live on the moon.

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Among the best

I’m very pleased to tell you that one of my stories from 2020 (“The Past, Like a River in Flood”) has been chosen by Rich Horton for inclusion in his Year’s Best Science Fiction and Fantasy, 2021 Edition. The table of contents can be seen on Rich’s blog, here.

When I wrote that story, I was thinking about natural disasters I had witnessed, some quite close up, and some institutional failures they’d left in their wake. I didn’t really want a story about institutional failure and its human cost to be quite as timely as it turned out to be, but…I’m glad the story resonated, all the same, and I’m still very proud of it. And so happy to be in a volume with so many other stories I enjoyed, and some that are new to me, some I’ll be glad to discover.

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Books read, early April

Daniel Abraham, Age of Ash. You can count on Abraham to write a sentence and a paragraph. He is solidly a good writer on the level of: can this man write. Answer: yes. The central fantasy conceit of the magic around this tyrant–why the secrecy? tyrants get away with all kinds of stuff–is not my favorite of his. It doesn’t have the luminous brilliance of the Long Price series or the–well, the banking. It does not have the quirkiness of the Dagger and the Coin, let’s say. It’s very readable, but I hope that it gets more direction in the next book.

Max Adams, The Viking Wars: War and Peace in King Alfred’s Britain, 789-955. Adams has a very clear bias toward written sources when it comes to Vikings that is less present when it comes to the English–that is, he’s stronger on archaeology as a source in England (or even Scotland and nearby isles). Which is fair enough, that’s his period. It means that there were a few places early on where I quibbled before settling into the part of the book that was solidly about the early English and enjoying that very much. I intend to read more of his work.

Katherine Addison, The Grief of Stones. Discussed elsewhere.

Kelly Barnhill, When Women Were Dragons. Discussed elsewhere.

Neil Clarke, Xia Jia, and Regina Kanyu Wang, eds., New Voices in Chinese Science Fiction. Kindle. This was a lovely anthology, and it started with my favorite story in it, putting me in a good mood for the whole thing. That was Shuang Chimu’s “My Family and Other Evolving Animals,” which was very consciously and deliberately the modern Chinese science fiction version of Gerald Durrell, which is a thing I definitely needed and some of you are now crying out in delight that you need too, and some are saying “what who” but that’s okay. The point is: cross-culturally really lovely, what a fun collection.

Christopher Fry, The Lady’s Not for Burning. Reread. One of the things I noticed about Fry on this reread, 25 years after I first read it, is that he has so many good lines but not one-liners, not things that are easily going to wind up in quote files, because they’re good lines in context, you have to back up at least a few lines and often half the play to really savor why they’re good. I’d hedge this around with content warnings if you have or have had someone suicidal in your life, but they all get through it in the end–I feel fine about that spoiler, it’s a play from the ’40s. They all get through it in the end. Yes.

Sarah Gailey, Just Like Home. Discussed elsewhere.

James Gleick, ed., The Best of American Science Writing 2000. Reread. When we reshelved the science section, I could see this collection of essays on the shelf and think: do I still want this twenty years later? and the answer is: not really. But the reason for that answer is interesting to me, it’s not that everything in it was ephemeral, it’s that more than half of what was included is now in books I’ve read (and often own) in other forms. A lot of the stuff that was considered the best science writing was not the writing that was conveying science news to people when they most needed it but the stuff that was slower, almost more novelistic. And on a certain level that makes sense, that’s what people tend to mean by good writing. But also it’s a good reminder that we might mean some other things by “good writing” that we…really don’t tend to. And in science writing in particular, that has social consequences.

Angelica Gorodischer, Jaguar’s Tomb. Experimental and harrowing–a bit less harrowing for being more experimental. Three chunks of novel each written by the subject of its predecessor. Gorodischer’s attempt to deal with those who disappeared during the Dirty War in Argentina, not something easy to face head-on or in fact at all. Circling it, coming around in different ways, made sense. Glad I read it, but oof.

Sarah Orne Jewett, The Queen’s Twin and Other Stories. Kindle. Very short collection of very short stories from the late 19th century. These are slices of Maine country life with heavy dialect. It was apparently phoneticized Irish person fortnight in the land of me. Not my favorite of her work, but I do love her old Maine ladies.

Jennifer C. McElwain, Marlene Hill Donnelly, and Ian J. Glasspool, Tropical Arctic: Lost Plants, Future Climates, and the Discovery of Ancient Greenland. Archaeological exploration and reconstruction of Greenland. I particularly love that there is a person who takes the shapes made by leaves in these fossil imprints and makes models of them out of foil and other materials to try to figure out how the leaves would have hung and moved in wind, because fossilization is a flattening process and leaves rarely just sit flat in life.

Foz Meadows, A Strange and Stubborn Endurance. Discussed elsewhere.

L. M. Montgomery, Jane of Lantern Hill, Pat of Silver Bush, and Mistress Pat. Rereads. I had been confusing these–it’s not Jane who loves a house to her own detriment, it’s Pat. Ah well, it had been more than thirty years since I’d read any of them. Jane is merely mediocre late-period Montgomery–not terrible, but pride is the only thing that ever comes between people in love, and everything can always be fixed by moving to PEI. Yyyyeah. The Pat books–this is the full conservatism of late Montgomery coming to the fore, and I do mean little-c conservative–“never change anything ever” could be Pat’s motto, and it seems to be one Montgomery is reasonably in sympathy with. One of Pat’s horrible sister-in-law’s sins is wanting to have a different picture hung on the wall than has always been hung on the wall. THE FIEND. HOW DARES. The entire plot arc, if you can call it that, is completely unsatisfying to me: Pat hangs around, something horrible happens but no one is hurt, she goes to hang around somewhere else without, so far as I can tell, anyone changing notably in the process. (Pride…once again seems to be the only thing…maybe? or something? Unclear.) Mistress Pat is also a very weird book because it was written into the near future at the time–it came out in 1935 and each year of the book is labeled “Year 1” and so on through “Year 11”–and in Year 1, 20-year-old Pat says she remembers the Armistice (of the Great War) when she was 5. So she was born in 1914. So year 1 is 1934, the book came out in 1935, and Montgomery blithely wrote years 3-11 on a speculative basis. Which is fine, it’s not like anything notable could happen in 1936-1945 anyway, it’ll probably be just like she…ima…gin…ed….it…..oh dear. But there’s actually something meta-appropriate about that, because of Pat’s “never change anything ever” motto: the real world might have been having World War II, but Silver Bush is not actually on PEI, it’s in Brigadoon, where Irish servants tell tall tales with their exaggerated brogues and the worst thing that ever happens is that your brother runs away to sea where the Germans will probably NO THERE ARE NO GERMANS NEVER MIND. And your sister leaves to be a missionary in China in about 1943, I expect that’ll be fine. Um. No, but it’s still worse than that, because in 1935 she already had reason to know that the Prairie Provinces were having the Dust Bowl–the Depression wasn’t as bad in the Maritimes because their economy was already terrible but having Pat’s father blithely be like “maybe I’ll go west, nah, I like ol’ PEI the best because everyone does” is callousness that Montgomery actually could have seen and fixed. She just…didn’t. Anyway I have literally never liked these books, and I now have the perspective to give them away with a clear conscience, hurrah.

Meridel Newton, The Future, Second by Second. Discussed elsewhere.

Suzanne Palmer, The Scavenger Door. The third of the Fergus Ferguson books, poking around looking for alien artifacts and getting himself into trouble again–with a cast of friendly aliens and less-friendly aliens and way-less-friendly humans and yeah, okay, some of the humans are friendly too I guess. A lot of Earth time in this one! So that’s eccentric, Earth is weird! But don’t worry, Fergus is going further out there than just Earth….

Sarah Prineas, Asking for Trouble. Second in its series of shapeshifter MG SF, Trouble has his motley weird family and friends, but some of them need help finding their own families–and he still doesn’t entirely know where he came from. And also there are mysterious things at the edge of the galaxy? Uh oh. This is the book where he unravels all of that. Frankly I don’t like the ending, but not in a scream-and-cry-hate-this way, just…meh. But the rest of the book is fun.

Katharine Schellman, Last Call at the Nightingale. Discussed elsewhere.

Tess Sharpe, The Girls I’ve Been. A cracklingly fast-paced YA thriller about a teenage girl caught up in a bank robbery, forced to use con artist skills she set aside when she escaped her mother for a better life. Melodramatic? Sure, but not more so than your average crime thriller, and this one is far more compassionate about the victims of the crimes involved. I also loved how the protagonist had deep dark secrets and was bisexual, but being bisexual was not one of her deep dark secrets. Solid on friendships, clear view of family and agency. Very glad I heard of this one.

Jesse Q. Sutanto, Four Aunties and a Wedding. The sequel to the delightful Dial A for Aunties, and for me it did not reach the pitch of helpless laughter that the first one did, but it was still a fun book when I needed one. In this one, Meddy is getting married, with the invaluable help of her aunts and her mother. In England. While preventing a Mafia assassination. Um.

Claire Tomalin, The Young H. G. Wells: Changing the World. Shorter than I expected because Tomalin was very straightforward about her interest in Wells cutting off more or less at midlife; I respect that a lot more than if she had pretended it was a comprehensive biography and then done a bad job on his later life. I love Tomalin’s ability to simultaneously sympathize with the aims of her subjects and see the fallout of their behavior for those around them. Interesting person, made me more interested in the Fabians around him, such is life.

Patrice Vecchione and Alyssa Raymond, eds., Ink Knows No Borders: Poems of the Immigrant and Refugee Experience. These poems are very directly about what they’re about, and that…is not my favorite kind of poetry, necessarily. There were still a few that I loved, but for the most part this was a very on-the-nose collection that made me want to give immigrant and refugee poets a collection in which they could write poems about chewing gum or owls or anything else they wanted.

Ocean Vuong, Time Is a Mother. These poems aren’t all about his mother’s death directly, but the entire volume is woven through with it. There’s one that made me weep with its simplicity and intensity of cataloging the shape of the end of a life, parent and child. When my father died, one of my friends who also grieves through poetry recommended several volumes–Tennyson, Donald Hall. This would be a worthy addition to that list.

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The Future, Second by Second, by Meridel Newton

Review copy provided by the publisher. Also I know the author through this here internets.

Some of the fiction that gets labeled post-apocalyptic is actually during-apocalyptic. This is actually post-: the settlement in question, the town of Osto, has achieved a pretty stable state, farming and making clothes and trying to figure out how the people in the before times managed their weird materials and lives. They’re not perfect–there’s infighting and nastiness and domestic violence and disrespect. But they’re managing.

Until the infamous band of Esteben’s raiders come to Osto, intent on stripping the town of all that makes it an oasis and leaving desolation in their wake. Vasha, an old woman who has led Osto for years, tries to strike a bargain: if their leader can lead the town for a day and win its people’s support in a fair election, she’ll give him power freely. That day…hour by hour, second by second…determines the future of Osto.

There’s not a lot that’s earthshaking in the science fiction concepts here, but that’s not what Newton is aiming for. She’s focusing instead on character relationships–how understanding human relationships can be exactly the science that can save a way of life, a little at a time. How giving people their free choice is better than forcing them–no matter what the people holding the guns at your village keep would like you to think. This is a novella full of ideals (though not of sweetness and light), and this is a time when you might very well need some of that.

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A Strange and Stubborn Endurance, by Foz Meadows

Review copy provided by the publisher. Also I know the author on this here internet a bit.

Sometimes you read the first page of a book and you think, yes, I am in good hands, I am going to have a good time now. That absolutely happened here for me. A Strange and Stubborn Endurance introduces itself with the perfect balance of trope and utter trope rejection: Our Hero is not fighting for his father’s lands! could not care less for them! has a servant paid to put up with his bullshit and is not going to bother that servant with this observation HOORAY I AM HERE FOR IT. Look, I picked this book up after a book that started whining about how corsets were universally bad, so I really needed this.

Okay, so what is it really, beyond the first page? It’s an arranged marriage book, with absolute lashings of fantasy politics, riding through the mountains, fighting bandits and/or discovering someone has been a bandit, chase scenes, discovering secrets, fancy parties, more fancy parties, knife throwing, figuring out the customs of a new land, using people’s ableism against them, lots of descriptions of food. And it is gay as a bright summer morning. Velasin and Caethari may not be the husbands each other dreamed of, but if they’re given a chance they might grow into being the husbands they need.

This book is also pretty clear about what content warnings you might want: sexual assault and both internal and external fallout thereby, homophobia (SO MUCH HOMOPHOBIA), suicidality (resolved happily but still portrayed). This is an ultimately positive and fun book, but not because everything is happy on every page. There’s a lot of emotional range here–chiaroscuro, so to speak, some very low lows for some young people starting out in their lives but also some very high highs. Some deep friendships as well as some startling betrayals. Magic seems, at first, to be a thing that is peripheral, but its presence grows as the story unfolds–from the tiniest charm around the edges to something more, something integral to this world and its people.