Posted on Leave a comment

2025 in writing (my stuff)

I’ll be doing my usual recommendations for short stuff other people have read at the end of December, when I’ve had a chance to read the things that are still coming out in December, but I think I’ve seen the last of my new publications for the year, so here’s what I’ve been up to!

…a year turns out to be a long time. One of the reasons I think it’s good to do these year-in-review posts is that the sense of “oh wait, was that this same year???” is strong. I feel like my tendency to put things I’ve accomplished in the rearview and focus on the next thing is generally really useful to me, but it does tend to lead to a “what have you done lately” mindset. When it turns out that what I have done lately is a pile of stories. There were more SF than fantasy stories, which surprised me, it didn’t feel that way…more on why I think that is in a minute. In any case, here’s the 2025 story list:

The Year the Sheep God Shattered (Diabolical Plots)

Her Tune, In Truth (Sunday Morning Transport)

If the Weather Holds (Analog)

Disconnections (Nature Futures)

The Things You Know, The Things You Trust (If There’s Anyone Left)

All I Got Was This Lousy T-Shirt (Lightspeed)

Things I Miss About Civilization (Nature Futures)

A Shaky Bridge (Clarkesworld)

What a Big Heart You Have (Kaleidotrope)

And Every Galatea Shaped Anew (Analog)

The Crow’s Second Tale (Beneath Ceaseless Skies)

Advice for Wormhole Travelers (The Vertigo Project)

She Wavers But She Does Not Weaken (The Vertigo Project)

The Torn Map (The Vertigo Project)

So yeah! Stories galore! And with a very satisfying variety of publishers, with the exception that The Vertigo Project was a focus of a lot of my attention this year. Which makes sense! It’s a pretty big deal. All the poetry I had published this year was with The Vertigo Project as well, although I have a couple of poems ready to come out in 2026 from other places. Here’s the list of poems:

Club Planet Vertigo (The Vertigo Project)

Greetings From Innerspace (The Vertigo Project)

On the Way Down (The Vertigo Project)

Preparation (The Vertigo Project)

The Nature of Nemesis (The Vertigo Project)

I only had one piece of nonfiction out this year, The Stranger Next Door: The Domestic Fantastic in Classic Nordic Children’s Literature (Uncanny). But it’s a topic that’s very close to my heart, and I’m glad I had the chance to wallow in it. Er, I mean, share it with you.

I suppose the other thing that could be considered nonfiction is that I wrote journaling prompts to help people with vertigo process their vertigo experience through creative writing. I also wrote a group workshop format for the same general ideas, and I ran the first of those workshops in November. It was lovely and seemed to be very meaningful to the people involved–and that’s one of the things that’s nice about the facilitator (that is, me) being someone with vertigo, it meant that I was talking about our experiences rather than their experiences. The Vertigo Project has been the gift that keeps on giving all year, and there will be more of it yet in 2026. What a great thing to get to be involved with. I’m so pleased to have done this work with these people.

I was also a finalist for the Washington Science Fiction Association’s Small Press Award, for one of 2024’s stories, A Pilgrimage to the God of High Places. I got to go to Capclave and hang out with a bunch of friends and enjoy being a finalist.

I think the main reason that I felt like I was doing equal parts fantasy and SF this year is that I wrote approximately half each of two novels, one fantasy and one SF. Both are still going strong. We’ll see where they take me. I’m also working on some more short work in both categories. While I published a lot more short SF, my biggest news in recent months is that I sold a fantasy novella to Horned Lark Press. A Dubious Clamor features harpies, politics, operettas, pastries, and complicated friendships, and it’s forthcoming in 2026. A lot done this year, a lot to look forward to!

Posted on Leave a comment

Books read, late November

Sam Bloch, Shade: The Promise of a Forgotten Natural Resource. Interesting natural and social history–and present assessment–of the uses and needs of shade in sunny climates. Very much the sort of environmental study we need more of. Yay for this weird little book.

Meihan Boey, The Formidable Miss Cassidy. Structurally slightly odd but extremely good. “Some weirdos make friends; hijinks ensue” is one of my favorite shapes of plot, all the more so when there’s more than one culture and a bunch of magic stuff going on. More from this author please.

Joseph J. Ellis, Revolutionary Summer: The Birth of American Independence. This is a good introductory book if you haven’t already read a lot of stuff about the lead-up to the American Revolution. It’s not actually one of the ones I’d put very high on my list if you have, but not everyone has.

Martín Espada, Jailbreak of Sparrows. I feel like these were longer and less punchy than his previous poems, but that could be genuine or could be a result of my own mood, hard to guess without more intense study. “Not my favorite Espada collection” is still a pretty good thing to be.

Margaret Frazer, The Stone Worker’s Tale. Kindle. This is another of the mystery short stories in the same continuity as her novel series, slight but entertaining as most of them are. Sometimes you can watch mystery authors try to figure out some twist that will entertain them to write, and I think this was one of those times.

Howard W. French, The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide. This is a good place to go deeper on recent Ghanan history but also a good place to start if you don’t feel like you know very much about 20th century West Africa. A very interesting read.

Greg Grandin, America, América: A New History of the New World and Kissinger’s Shadow: The Long Reach of America’s Most Controversial Statesman. I got interested in the first of these when I saw it in a bookstore, and it did not disappoint: it’s a history of the US and Latin America, rather than focusing on the US’s relationship with Europe as most such histories do. It was good enough that I requested the second one based on enjoying his work, and I’m not sure that “enjoy” is the right word for a whole book about Kissinger, but then I’m not sure it should be. Grandin’s view of Kissinger is relentless, and I don’t think he should have relented. And at least it’s not terribly long, it doesn’t make you spend more time with Kissinger than necessary to study his sociopolitical effects.

Adam Hochschild, Rebel Cinderella: From Rags to Riches to Radical, the Epic Journey of Rose Pastor Stokes. Hochschild is generally good, and I like to see closer-focus histories. Rose Pastor Stokes definitely is interesting enough for a whole book. I do feel like he wanted to be doing some things with her marriage as emblematic of things that didn’t quite get there, but it’s still worth the time.

Marina Lostetter, The Teeth of Dawn. The last in its series, and I finished it from momentum rather than enthusiasm for where the series went. I really liked the earlier ones, it’s just this two-timeline narrative felt labored at points. I generally enjoy her ideas and writing and will be glad to see what else she does next.

Premee Mohamed, The First Thousand Trees. Another third volume. This one was a bit more genre-standard than its two predecessors, but well-executed on that, fitting it into the established worldbuilding and characters.

Trung Le Nguyen, Angelica and the Bear Prince. A sweet YA love story in graphic novel form. Cute to look at as well as cute storyline, won’t take long.

Yasuhiko Nishizawa, The Man Who Died Seven Times. This is a time loop novel that’s also a murder mystery, and I really liked that the looping character was attempting to prevent the murder in the process of solving it: how can I make this better. The twist in the ending was not entirely satisfying to me, and there was enough problematic alcohol use that even I, who don’t usually flag that, feel like it’s worth noting for people who really dislike that as an element in fiction.

Ellen Oh and Elsie Chapman, eds., A Thousand Beginnings and Endings. Retellings of Asian mythologies by Asian diaspora authors, somewhat varied but generally quite satisfying. I read this for book club, and it gave us a lot of happy fodder for discussion rather than the more annoyed kind we sometimes have.

Hache Pueyo, Cabaret in Flames. Discussed elsewhere.

Jonathan Slaght, Tigers Between Empires: The Improbable Return of Great Cats to the Forests of Russia and China. There’s a lot about field work with Amur tigers in this. A lot. If you like that kind of nitty gritty about how the science gets done, good news, this is a book for you. I do like that sort of thing, so I was very pleased. My one complaint is that there is almost nothing about China and very little about the cross-cultural relationship work here. For having it in the subtitle, it’s…really a Russian book. And that’s okay! Just some clarity there.

Seamus Sullivan, Daedalus Is Dead. I thought this was going to be a completely different shape of thing, which is my fault and entirely on me. The cover and title made me think that Daedalus was going to be a metaphor. Nope! No metaphors here! Very literal retelling of Daedalus’s experiences in life and afterlife! For some reason Sullivan decided that what he most wanted to do here was Daedalus as unreliable narrator in ways that have nothing at all to do with him as a technologist; there’s stuff to be done with complicity in science/technology work, but very little of it was done here, most of Daedalus’s flaws were…generic unpleasant dude flaws, I would say. It’s written quite well, but I ultimately did not want to spend even a novella’s worth of time with this character.

Ann Vandermeer and Jeff Vandermeer, eds., Sisters of the Revolution: A Feminist Speculative Fiction Anthology. Some very familiar, oft-reprinted stuff in here, plus some stuff I’ve never seen before. A very mixed bag, the full spectrum of my responses as well as the full spectrum of types of feminist SF.

Ellen Wayland-Smith, The Science of Last Things: Essays on Deep Time and the Boundaries of the Self. Wayland-Smith leans very heavily on similes in this essay collection, which often didn’t work amazingly for me because the similes felt…fine? rather than genuinely illuminating. I feel like a cad saying that her best work was about her own mortality, but, well. Better than her worst work, I suppose? Still. This was fine enough but not a favorite.

Posted on Leave a comment

Cabaret in Flames, by Hache Pueyo

Review copy provided by the publisher.

Like Pueyo’s debut, this is an extremely well-done example of something that is very, very much not my thing. This is another monsterfucking book! I am using that term as a genre term of art rather than a pejorative: there are guls, they eat human flesh, the main character ends up romantically/personally entangled with one despite or perhaps because of her complicated history.

There’s vivid writing here–which if you are not interested in stories of human flesh being eaten is not necessarily going to appeal to you–and there are cultural touchstones I wish we saw more of in things published in the US. It’s great to see a really Brazilian speculative novella–and the politics of contemporary Brazil give this speculative story weight and deep roots. It’s done so well. It’s just so beautifully written. But also, and crucially for me, it is body horror basically start to finish, so: approach with care, depending on your tastes.

Posted on Leave a comment

The Vertigo Project: new work!

I’ve mentioned here before that one of my big projects this year is my involvement with The Vertigo Project, which now has a webpage so the rest of you can see what we’ve been doing. Earlier today I facilitated the first creative therapy-style writing workshop through that group, and it was really lovely–and is just the tip of the iceberg on what this group is doing.

Specifically, you can now read all the new work they’ve commissioned from me! Friends, it’s a lot. It’s journaling prompts for people who would like to use writing to process some of their own vertigo experiences. But also it’s the following stories and poems:

Advice for Wormhole Travelers (story), safe conduct through strange new worlds

Club Planet Vertigo (poem), this is not the dance I wanted to do

Greetings from Innerspace (poem), my orbits are eccentric

The Nature of Nemesis (poem), me and Clark Kent know what’s what

On the Way Down (poem), falling hard

Preparation (poem), sometimes we’re just literal, okay

She Wavers But She Does Not Weaken (story), when the waves hit you even on dry land, it’s good to have someone who’s willing to swim against the current for you

The Torn Map (story), rewriting the pieces of the former world into something new

The main page also has links to some of the other aspects of the project, which includes a nonfiction book, dance, puppetry, a podcast with a physical therapist, and more. Please feel welcome to explore it all.

Posted on Leave a comment

Books read, early November

William Alexander, Sunward. A charming planetary SF piece with very carefully done robots. Loved this, put it on my list to get several people for Christmas.

Ann Wolbert Burgess and Steven Matthew Constantine, Expert Witness: The Weight of Our Testimony When Justice Hangs in the Balance. I picked this up from a library display table, and I was disappointed in it. It isn’t actually very much theory of the use of expert witnesses in the American legal system. Mostly it’s about Burgess’s personal experiences of being an expert witness in famous trials. She sure was involved in a lot of the famous trials of my lifetime! Each of which you can get a very distant recap of! So if that’s your thing, go to; I know a lot of people like “true crime” and this seems adjacent.

Steve Burrows, A Siege of Bitterns. I wanted to fall in love with this series of murders featuring a birder detective. Alas, it was way more sexist than its fairly recent publication date could support–nothing jaw-dropping, lots of small things, enough that I won’t be continuing to read the series.

Andrea Long Chu, Authority: Essays. Mostly interesting, and wow does she have an authoritative voice without having an authoritarian one, which is sometimes my complaint about books that are mostly literary criticism.

David Downing, Zoo Station. A spy novel set in Berlin (and other places) just before the outbreak of WWII. I liked but didn’t love it–it was reasonably rather than brilliantly written/characterized, though the setting details were great–so I will probably read a few more from the library rather than buying more.

Kate Elliott, The Nameless Land. Discussed elsewhere.

Michael Dylan Foster, The Book of Yokai. Analysis of Japanese supernatural creatures in historical context, plus a large illustrated compendium of examples. A reference work rather than one to sit and read at length.

Michael Livingston, Bloody Crowns: A New History of the Hundred Years War. Extensive and quite good; when the maps for a book go back to the 400s and he takes a moment to say that we’re not thinking enough of the effects of the Welsh, I will settle in and feel like I’m in good hands. Livingston’s general idea is that the conflict in question meaningfully lasted longer than a hundred years, and he makes a quite strong argument on the earlier side and…not quite as strong on the later side, let’s say. But still glad to have it around, yay.

Michael T. Osterholm and Mark Olshaker, The Big One: How We Must Prepare for Future Deadly Pandemics. Also a disappointment. If you’ve been listening to science news in this decade, you’ll know most of this stuff. Osterholm and Olshaker are also miss a couple of key points that shocked me and blur their own political priorities with scientific fact in a fairly careless way. I’d give this one a miss.

Valencia Robin, Lost Cities. Poems, gorgeous and poignant and wow am I glad that I found these, thanks to whichever bookseller at Next Chapter wrote that shelf-talker.

Dana Simpson, Galactic Unicorn. These collections of Phoebe & Her Unicorn strips are very much themselves. This is one to the better end of how they are themselves, or maybe I was very much in the mood for it when I read it. Satisfyingly what it is.

Amanda Vaill, Pride and Pleasure: The Schuyler Sisters in an Age of Revolution. If you were hoping for a lot of detail on And Peggy!, your hope is in vain here, the sisters of the title are very clearly Angelica and Eliza only. Vaill does a really good job with their lives and contexts, though, and is one of the historians who manages to convey the importance of Gouverneur Morris clearly without having to make a whole production of it. (I mean, if Hamilton gets a whole production, why not Gouverneur Morris, but no one asked me.)

Amy Wilson, Snowglobe. MG fantasy with complicated friend relationships for grade school plus evil snowglobes. Sure yes absolutely, will keep reading Wilson as I can get her stuff.

Jane Ziegelman and Andrew Coe, A Square Meal: A Culinary History of the Great Depression. This went interestingly into the details of what people were eating and what other people thought they should be eating, in ways that ground a lot of culinary history for the rest of the century to follow. Ziegelman and Coe either are a bit too ready to believe that giving people enough to eat makes them less motivated to work or were not very careful with their phrasing, so take those bits with a grain of salt, but in general if you want to know what people were eating (and with how many grains of salt!) in the US at the time, this is very interesting and worth the time.

Posted on Leave a comment

Just a little adjustment

I haven’t seen the copies of my new story in Analog (Nov/Dec 2025), but apparently other people have, so: “And Every Galatea Shaped Anew” is out in the world, ready to read if you can find it. It’s the story of a technological boost–or is it a detriment?–to our most personal relationships….

Analog has been purchased by Must Read Magazines, and while some of us are managing to wrestle their contracts into shapes we’re willing to sign, it’s a new fight every time. I have another story with an acceptance letter from them, but at the moment I’m not submitting more. That makes me sad; I have liked working with Trevor Quachri since he became editor, and I liked working with Stan Schmidt before him. Analog was one of my BIG SHINY CAREER MILESTONES: that I could sell to one of the big print mags! And then that I could do it AGAIN! It’s been literally over 20 years of working together, and now this. Trevor was not in charge of contracts at Dell Magazines, and he’s not in charge of contracts at MRM. This is not his fault. I would like to keep being able to work with him and with Analog. (And with Sheila at Asimov’s, and with Sheree at F&SF! Not their fault either! These are all editors I like and value, and one of the things that upsets me here is that they’re in the middle of all this.) But the more MRM gets author feedback about best practices and refuses to take it on board, the less I feel like it’s a good idea for me as an established writer to give the new writers the idea that this is an acceptable state of things.

So yeah, having this story come out is bittersweet, and I’m having a hard time enthusing about it the way I did about my previous publications in Analog–or my other previous publication this week. Maybe go read that, I’m really proud of it–and I feel good about the idea that newer writers will see my name in BCS and think it’s a good place for authors to be, too. There are lots of magazines in this field that treat their authors with basic professional decency as a default, not as something you have to fight them for. I have kept hoping that MRM will rejoin them. There’s still time.

Posted on Leave a comment

One for sorrow, two for joy, a murder for….

My crow story is out today in Beneath Ceaseless Skies! The Crow’s Second Tale is what happens when you mull over crow-related song and story a bit too long, or maybe just long enough. If you need or prefer a podcast version, that’s available too, narrated by the amazing Tina Connolly. Hope you enjoy either way.

(I had originally written “a murder for” a particular abstract noun, but you know what, I don’t want to spoil what abstract noun it was, go read if you want to know!)

Posted on Leave a comment

The Nameless Land, by Kate Elliott

Review copy provided by the publisher.

This is the second half of what is being called a duology, with The Witch Roads as the first half of the story. I would say it’s less a duology than a novel in two volumes. The first volume ends on a cliffhanger, and the second picks up basically immediately with no reintroduction to the characters, setting, and plot. So: one story in two volumes, now complete.

There were things I really liked about this and things that left me cold. I feel like the pacing was weird–the chapters are short, but that didn’t really obscure how many pages were spent on basically one argument. I also found the ending deeply unsatisfying–the situation of having a character possessing other people was basically glanced at as problematic and then embraced as a happy ending that was entirely too convenient for all involved.

But the return to our protagonist Elen’s past home, illuminating it with her adult eyes, was really well done, and I liked the courage and strength shown by the child she encountered there. I love having a fantasy that has an aunt/nephew relationship as one of its emotional cores. This duology simultaneously locates itself centrally in the secondary world fantasy genre of the moment and branches out to do things that I’m not seeing a lot of in other fantasy of this type.

Posted on Leave a comment

Books read, late October

Philip Ball, The Water Kingdom: A Secret History of China. A history of China through its rivers. And other water, but really mostly rivers. Gosh they’re important rivers. Some of it was more basic than I hoped, but the part where he talked about the millennia-long conflict between the Confucian and the Daoist views of flood management–that’s the good stuff right there. That’s what I need to think over.

Lois McMaster Bujold, Testimony of Mute Things. Kindle. A neat little murder mystery fantasy novella, earlier in the Penric and Desdemona timeline than most of the others in the series. I really like that Lois is feeling free to move back and forth in the timeline as fits the story she wants to tell.

Traci Chee, A Thousand Steps Into Night. Demons and time loops and complicated teenage relationships with oneself and others, this was a lot of fun.

Max Gladstone, Dead Hand Rule. The latest in the Craft sequence, and hoo boy should you not start with this one, this is ramifying its head off, this is a lot of implication from your previous faves bearing fruit. I love middle books, and this is the king–duly appointed CEO?–of middle books, this is exactly what I like in both middle books generally and the Craft sequence specifically. But for heaven’s sake go back farther, the earlier Craft novels are better suited to read in whatever order, this has weight and momentum you don’t want to miss out on.

Rebecca Mix and Andrea Hannah, I Killed the King. A fun YA fantasy murder mystery, better as a fantasy than as a murder mystery structurally but still a good time with the locked room and the suspects and their highly varied motivations. Are we seeing more speculative mysteries? I kind of hope so, I really like them.

Lauren Morrow, Little Movements. This is a novel about a choreographer who gets a chance to work slightly later in life than would be traditional, of a group of Black artists who deal with insidious racism, of a woman who has miscarried and is trying to put her life and identity and romantic relationship back together. In some ways it’s a very straightforward book, but also it’s a shape of story I don’t think we get a lot of, the impact of being all of the people in my first sentence at once. It’s a very intimate POV and nicely done.

Andrei Soldatov and Irina Borogan, Our Dear Friends in Moscow: The Inside Story of a Broken Generation. The authors were journalists in Russia early in the Putin era and had a front row seat to watching people they respected and trusted become mouthpieces for Putin, and this is that book. Unfortunately I think some of the answer to “how could they do this” was that many of them–as described by Soldatov and Borogan!–were already those people, and Putin gave them the opportunity to be those people out loud. I was hoping, and I think they were hoping, for more insight on how someone could become that person; what we got instead was insight into how some people already are and you don’t necessarily know it clearly. Which is not unuseful, but it’s not the same kind of useful. Anyway this was grim and awful but mostly in a very grindingly mundane way.

Serra Swift, Kill the Beast. Discussed elsewhere.

Amanda Vaill, Hotel Florida: Truth, Love, and Death in the Spanish Civil War. Amanda Vaill does not like Ernest Hemingway any better than I do, bless her, but when she picked her other subjects in writing about a group of journalists and photographers in the Spanish Civil War, she was apparently kind of stuck with him. Did that mean she learned to love him? She sure did not, high fives Amanda Vaill. Anyway some of the other people were a lot more interesting, and the Spanish Civil War is.

Jo Walton, Everybody’s Perfect. Discussed elsewhere.