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Books read, late December

Daniel Abraham, An Autumn War. Reread. Third in its series and for heaven’s sake don’t start here, this is all ramification all the time. Wow is this the difference between a good book and a nice book. Abraham lets his characters screw up massively with world-altering repercussions, and I am 100% here for it.

Jeanne E. Abrams, A View from Abroad: The Story of John and Abigail Adams in Europe. This is one of those nonfiction books that was interesting but left me wanting a slightly different book than the author wanted to write, namely a history of the early diplomatic corps of the US. Somebody go write this for me. This is a little bit of that and a lot of Adamses, which is fair because that’s what it says on the tin.

Molly Brodak, A Little Middle of the Night. Personal poetry with a shifting set of angles on illness and disability, loved it, absolutely recommend.

Stephanie Burt, We Are Mermaids. I wanted this poetry collection because of the title poem, and it did not disappoint. Trans issues, mythology, mythologizing one’s own issues, good stuff, hard-hitting stuff.

Caris Avendano Cruz, Marikit and the Ocean of Stars. A romp through Filipina legends and mythology and growing up. It feels a little younger than most of the middle-grade books with this title pattern, but not babyish or anything, and the legends are well-handled.

Don Duncan and dave ring, eds., Opulent Syntax: Irish Speculative Fiction. A slim volume, none of which was really outstandingly my sort of thing, but I want more of this sort of exercise, more angles on different voices in sff; it only stands to reason that they won’t all hit me the same way.

George Eliot, Romola. Kindle. Well, this is it: now I’ve read all of George Eliot’s novels. I’m very glad I have. Romola was not my favorite but was still very much worth a read. It’s set further back in history from where the author was writing it than most of her books–late 15th century Florence–and you can sort of see the shape of some of the ideas she was working with that would eventually become Middlemarch.

Sonja Fritzsche, Science Fiction Literature in East Germany. Kindle. A friend sent me this because he’s colleagues with the author, and it was fascinating to watch her trace the different science fictional literary movements in a tradition almost but not completely disjoint from mine–she has a lot of the same touchstones in western SF to ground the discourse in what I do know. (There was, for example, a moment where she cited Darko Suvin, and I said, “Okay but the thing about Darko Suvin–” only to find that in the next paragraph she was basically giving the same points as I’d been saying. Yes. Good.)

Carrie Jenkins and Carla Nappi, Uninvited: Talking Back to Plato. Mostly responding to Plato’s dialogs with feminist poetry, sometimes other things as well–a bit of Shakespeare, a bit of Earth orbit, a bit of a lot of things. I found this more intellectually interesting as an exercise than emotionally affecting as poetry, but I think that’s just because it wasn’t quite my kind of poetry rather than that it was badly done in any way.

Catherine Kerrison, Jefferson’s Daughters: Three Sisters, White and Black, in a Young America. Kerrison did an impressive amount of research around Patsy and Polly Jefferson and Harriet Hemings, including attempting to trace Harriet’s life after she left Monticello and looking for people who might have been her, with a lot of attention to education and status for varied women in this era. Unlike many people who might be drawn to this topic, she doesn’t seem to have been pulled into the black hole that is Thomas Jefferson’s charm–she never actually writes “what a jerk,” but its presence is pretty strong, and appropriate in context.

L.R. Lam, Dragonfall. Discussed elsewhere.

Peter Linebaugh, The London Hanged: Crime and Civil Society in the Eighteenth Century. Lots of analysis of who was hanged and why (by profession, by gender, all sorts of variables), with further attention to ideas of criminality, class, and society around it. Extremely interesting.

Dipika Mukherjee, Dialect of Distant Harbors. Poetry around themes of immigration and distance, beautiful stuff.

Alex Roland, Underwater Warfare in the Age of Sail. All sorts of technical stuff about mines and diving bells and cool stuff you might want to know if you’re that kind of nerd.

Drew Sarkis, Schemes of the Wayfarer. Discussed elsewhere.

Chris Scott, with Sarah Zorn, Homage: Recipes and Stories from an Amish Soul Food Kitchen. This was a really interesting read not because I wanted to make these recipes (I don’t) or because the author was such a stunning prose stylist (he isn’t) but because his entire way of thinking about food was interesting and made me think about it differently too.

Margery Sharp, The Innocents. Kindle. The story of a sixty-something woman who ends up caring for a developmentally delayed toddler during WWII. There are a few uses of language/concepts that are not contemporary (the r-word once, other casual slurs from well-meaning people around the child’s intellect and mutism but honestly not nearly so many as I would have expected, and also the child is said not to be autistic with a complete misunderstanding of what that would mean), but in general this is a very affirming story of a young person and an old person who manage to be their best selves together, and it’s really not a shape of story I see much.

Sun Yung Shin, The Wet Hex. Poems with a witchy theme and an immigrant theme. Not one of the volumes that resonated most with me, but worth reading.

Daniel Arthur Smith, Oceans: The Anthology. Kindle. This was a place where previous favorite authors shone: the stories I liked best were from Ken Liu and Caroline Yoachim. Lots of watery ideas, always room for more water, yay.

Nathan Tavares, Fractured Infinity. A multiplicity of other universes, with other versions of oneself and one’s partner, combined with a machine that tells the future foretelling extremely tough choices. A gay love story, a story of possibilities.

Martha Wells, The Witch King. Discussed elsewhere.

Ovidia Yu, The Mushroom Tree Mystery. The latest in this series of historical mysteries set in Singapore. This one takes us up to the very end of the Second World War, with all the chaos and change of that. I love that Yu is burning plot this way. I love that she’s not saving anything for the proverbial swim back.

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Outpost reading

Hey Twin Cities area pals! Two weeks from today–that is, January 15–at 2:00 p.m. I will be reading at Outpost’s event in Lakeville! Details and tickets here.

I’ve attended Outpost before as an audience member and really enjoyed it, so I’m thrilled to be on the other side of things this time around. There will also be a poet and five quite varied musicians, so I think of it sort of as an elevated variety show. See you there if your location and risk budget permit!

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Favorite short stories of 2022

Friends, there was so much good stuff published this year. I know I say that every year. Happily for me, it’s true every year. I feel 100% confident that there is at least one story published in 2022 that I will love but haven’t read yet. YAY. (And that’s just other people’s work! If you’re looking for my own work, it’s here.) Two seemingly opposite things that make me happy: there are a lot of my buddies on this list, and I love to see my friends doing well. (Selfishly, I particularly love to see them doing well at things I personally enjoy. I mean, go ahead and do well at things I don’t enjoy, too, love you, wish you all joy. But really.) But also it makes me really happy that there are a lot of new names on this list every year. People I’ve never read before. People who might be colleagues and friends in years to come, or might just have said something that was meaningful to me this one time and gone on to do other things in their lives. I love that there are so many voices out there to discover. Best thing as a writer. Best thing as a reader. High fives all around.

“The Voice of a Thousand Years,” Fawaz Al-Matrouk (F&SF May/June)

Lily, the Immortal, Kylie Lee Baker (Uncanny)

Surprise, Tom Barlow (Reckoning)

“Just Deserts,” A. M. Barrie (Fiyah Issue 23)

The Part You Throw Away, Elizabeth Bear (Sunday Morning Transport)

Fertile Week, Leah Bobet (Reckoning: Our Beautiful Reward)

Sunday in the Park With Hank, Leah Bobet (The Deadlands)

Tyrni, Laura Adrienne Brady (Reckoning)

This Is I, KT Bryski (The Deadlands)

“Breathless in the Green,” Octavia Cade (F&SF May/June)

Billable Hours for the Disputed Rights of the Chosen One, L. Chan (Wyngraf)

Elsewhere, Elsewhen, L. Chan (GigaNotoSaurus)

Thirteen Goes to the Festival, L Chan (The Deadlands)

“The Book of Unwritten Poems,” Curtis Chen (Sunday Morning Transport)

Miracle Babies, Roshani Chokshi (Strange Horizons)

If You Find Yourself Speaking to God, Address God with the Informal You, John Chu (Uncanny)

“Whose Spaceship Is It Anyway?”, John Chu (Bridge to Elsewhere)

“Finding Ways,” Zig Zag Claybourne (Dreams for a Broken World)

“How to Make a Spell Jar,” EA Crawley (Xenocultivars: Stories of Queer Growth)

My Great-Grandmother’s House, Madalena Daleziou (The Deadlands)

“Cadence,” Charlotte Nicole Davis (Tasting Light)

Laser Squid Goes House Hunting, Douglas DiCicco (Escape Pod)

“The Blue House,” Dilman Dila (Africa Risen)

Troubling a Star, Andrew Dykstal (Beneath Ceaseless Skies)

“Solidity,” Greg Egan (Asimov’s Sep/Oct)

The Florida Project, Morayo Falayimu (Grist: Imagine 2200)

Embroidery of a Bird’s Heart, Nelly Geraldine García-Rosas (Strange Horizons)

A Record Of Our Meeting With the Grand Faerie Lord of Vast Space and Its Great Mysteries, Revised, A. T. Greenblatt (Beneath Ceaseless Skies)

If We Make It Through This Alive, A. T. Greenblatt (Slate)

Hello, this is Automatic Antigrief: what problem can I solve for you today?, Jenna Hanchey (Nature)

Murder By Pixel: Crime and Responsibility in the Digital Darkness, S.L. Huang (Clarkesworld)

Merry in Time, Kathleen Jennings (Beneath Ceaseless Skies)

“Give Me English,” Ai Jiang (F&SF May/June)

Calf Cleaving in the Benthic Black, Isabel J. Kim (Clarkesworld)

Clay, Isabel J. Kim (Beneath Ceaseless Skies)

The Dragon Project, Naomi Kritzer (Clarkesworld)

This Tree Is a Eulogy, Jordan Kurella (Strange Horizons)

Have Mercy, My Love, While We Wait for the Thaw, Iori Kusano (Apex)

ESCAPE! Auditions: Transcript for Contestant 35, Mur Lafferty (Sunday Morning Transport)

Rooted, Wen-yi Lee (Reckoning)

“Maker of Chains,” Sarah A. Macklin (F&SF Mar/Apr)

We Greet the Solstice, Avra Margariti (Haven Spec)

Advice from the Civil Temporal Defense League, Sandra McDonald (Lightspeed)

The Goldfish Man, Maureen McHugh (Uncanny)

Directions to the House of Unnumbered Stars, Devin Miller (Flash Fiction Online)

The Malachite Storm, Devin Miller (Strange Horizons)

A Partial Record of Enchanted Cheeses I’ve Fed My Wife, Devin Miller (PodCastle)

Two Beaches, Devin Miller (Haven Spec)

Rabbit Test, Samantha Mills (Uncanny)

Carcinisation, Ellie Milne-Brown (Reckoning)

All That Burns Unseen, Premee Mohamed (Slate)

“The Usual Way,” Lina Munroe (Fiyah Issue 23)

“Lady Rainbow,” Yvette Lisa Ndlovu (Africa Risen)

Footnotes From “Phosphates, Nitrates, and the Lake A Incident: A Review,” Mari Ness (Reckoning)

Move, Mountain, Move, Russell Nichols (Reckoning)

Witchbreaker, Leah Ning (Beneath Ceaseless Skies)

“Cumulative Ethical Guidelines for Midrange Interstellar Storytellers,” Malka Older (Bridge to Elsewhere)

The Locked Pod, Malka Older (Sunday Morning Transport)

The Other Side of Mictlan, Matthew Olivas (Uncanny)

On the Sunlit Side of Venus, Benjamin Parzybok (Apex) (SERIOUS DESPAIR AND SELF-HARM CONTENT WARNING)

Sword and Spore, Domenica Phetteplace (Tor.com)

“Now Is the Time for Expansion and Growth,” Sarah Pinsker (The Sunday Morning Transport, 3/20)

“Delivery,” C.L. Polk (Fiyah No. 21)

The Cheesemaker and the Undying King, Lina Rather (Lightspeed)

Babang Luksa, Nicasio Andres Reed (Reckoning)

A Holdout in the Northern California Designated Wildcraft Zone, T.K. Rex (Grist: Imagine 2200)

He Stays Among the Commots, Christopher Rowe (Beneath Ceaseless Skies)

Arbitrium, Anjali Sachdeva (Tor.com)

Papa Legba Has Entered the Chat, DaVaun Sanders (Fireside)

Sheri, at This Very Moment, Bianca Sayan (Apex)

One More Fairy Tale, Carol Scheina (Cossmass Infinities)

Give This Letter to the Crows, Iona Datt Sharma (The Deadlands)

To Embody a Wildfire Starting, Iona Datt Sharma (Beneath Ceaseless Skies)

“My Family and Other Evolving Animals,” Shuang Chimu (New Voices in Chinese Science Fiction)

The Found Revelations of Revalor’s Last Oracle, Elsa Sjunneson (Sunday Morning Transport)

Water-logged Roots, Cislyn Smith (Reckoning)

“The Aloe’s Bargain,” Julian Stuart (Xenocultivars: Stories of Queer Growth)

The Direction of Escape, Sonya Taaffe (Not One of Us)

The House Snakes, Sonya Taaffe (Uncanny)

“A Dream of Electric Mothers,” Wole Talabi (Africa Risen)

Weaver Girl Dream, Lisabelle Tay (Uncanny)

“Team Building Exercise,” Valerie Valdes (Bridge to Elsewhere)

“Bumblebot,” Marie Vibbert (Analog Sep/Oct)

“Subscription Life,” Marie Vibbert (Dreams for a Broken World)

Onions, Grace Wagner (Reckoning)

A Local TV Weatherman Describes the Apocalypse, Marcus Whalbring (Strange Horizons)

The Coward Who Stole God’s Name, John Wiswell (Uncanny)

Demonic Invasion or Placebo Effect?, John Wiswell (Sunday Morning Transport)

DIY, John Wiswell (Tor.com)

Too Little, Too Little, Too Much, John Wiswell (Cossmass Infinities)

“The True Meaning of Father’s Day,” John Wiswell (F&SF May/June)

“Inheritance,” Hannah Yang (Analog Sep/Oct)

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Dragonfall, by L. R. Lam

Review copy provided by the publisher.

When people were talking about interstitial fantasy some years back, I used to joke that I liked both interstitial and stitial fantasy–both the stuff that blurs the boundaries and the stuff that’s dead center of its genre. This is in the latter category. It would be hard to come up with more of a fantasy novel fantasy novel than this one.

It has: a human thief whose community blames them for their family’s past, who wants to learn more (MORE MORE) magic and triumph over their expectations. It has: a dragon fallen from the world of dragons–or pushed–to save his people and bring them back into the world of humans. Mostly wearing a humanoid form. It has con jobs and plotting and corrupt people in power; it has moments of transformation both literal and metaphorical.

In short, if you’ve been saying to yourself, “but I would really like a classic fantasy novel but maybe with a little more openness to contemporary ideas of gender,” here you go, this is the thing, it is for you. I raced through it, having fun the whole way.

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Short stories I’ve enjoyed, last quarter 2022

The list for the whole year is coming soon.

Fertile Week, Leah Bobet (Reckoning: Our Beautiful Reward)

“Cadence,” Charlotte Nicole Davis (Tasting Light)

Laser Squid Goes House Hunting, Douglas DiCicco (Escape Pod)

“The Blue House,” Dilman Dila (Africa Risen)

Troubling a Star, Andrew Dykstal (Beneath Ceaseless Skies)

The Florida Project, Morayo Falayimu (Grist: Imagine 2200)

Murder By Pixel: Crime and Responsibility in the Digital Darkness, S.L. Huang (Clarkesworld)

Calf Cleaving in the Benthic Black, Isabel J. Kim (Clarkesworld)

ESCAPE! Auditions: Transcript for Contestant 35, Mur Lafferty (Sunday Morning Transport)

Directions to the House of Unnumbered Stars, Devin Miller (Flash Fiction Online)

Rabbit Test, Samantha Mills (Uncanny)

“Lady Rainbow,” Yvette Lisa Ndlovu (Africa Risen)

The Other Side of Mictlan, Matthew Olivas (Uncanny)

A Holdout in the Northern California Designated Wildcraft Zone, T.K. Rex (Grist: Imagine 2200)

He Stays Among the Commots, Christopher Rowe (Beneath Ceaseless Skies)

The Found Revelations of Revalor’s Last Oracle, Elsa Sjunneson (Sunday Morning Transport)

“A Dream of Electric Mothers,” Wole Talabi (Africa Risen)

A Local TV Weatherman Describes the Apocalypse, Marcus Whalbring (Strange Horizons)

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Taking stock: the writer version

Those of you who have known me for a long time know that Christmas Eve Day used to be my special holiday with my dad. We would go out for lunch and people-watch and maybe buy a last stocking stuffer or two (but maybe not). The important part was that we would spend time together talking over the year we’d had and the year to come. My dad talked to me about his work from the time I was in the late single digits, and took me seriously when I talked about mine, so he made space from very early on for me to talk about what I was hoping to do in my writing and what I thought I had done. And it was very cool and very useful, and I miss Dad but also I miss this.

I am really, really resistant to anyone acting as Substitute Dad. (No, more resistant than that. Seriously.) But as I said to T when I was talking about this earlier this season, “I don’t have special lunch with anybody else on Christmas Eve now…but I still have to eat lunch.” And that analogy is kind of where I am with the stock-taking part: I’m not going to have a special lunch with one other person to do this stuff, but it’s still really good for me from time to time to sit down and think about the big picture. From time to time.

Some friends were looking at doing prompts from year-end assessment projects, but when I looked at this, they were far more general life stuff than I wanted. I have no objection to taking stock of one’s life! Sometimes a great idea! But it’s not the same thing as looking at one’s creative work in specific. The two definitely inform each other, it’s just that the general-purpose “what travel plans do I have in 2023?” “who do I want to see more of in 2023?” questions feel like questions for a different time to me right now. Some of the cues for self-reflection and planning in a more general sense can be repurposed for a more focused one for creative work. But others just felt extraneous and beside the point.

This is all a work in progress. I’m not done with this yet, and some prompts worked better for me in this moment than others. But here’s what I ended up with, in case it helps anyone else. I found that it works better for me to be as concrete and as specific in my answers as possible and to limit myself to things that I can do, not things other people might do or reactions other people might have. Here you go:
What do I trust in my work
What am I proud of in this year’s work
Where do I want to be brave in next year’s work
Where will I draw energy for next year’s work
What will I love in next year’s work
One big dream for my work next year [this is one where it’s easy not to be concrete/specific, and useful to fight that urge]
What was fun this year
What kind of fun do I want to have next year
Best thing I discovered about my work
What I want to write (subcategories: poetry, nonfiction, fiction)
For each item on my project list: how do I feel about this project right now? What do I need in order to make progress on it? What do I need in order to make it feel really great?

I am sometimes extremely resistant to doing this. I have written two new short stories and two poems this week as acts of avoidance of doing this. That’s no bad thing: now I have four new things I’ve written that I had not written last week. More of this may happen before I’ve finished the prompt list. That’s okay. I’m patient, by which I mean I’m stubborn. And if this doesn’t work, I’ll try something different.

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Witch King, by Martha Wells

Review copy provided by the publisher.

This is an entirely new fantasy setting by Wells, and Tor (her publisher) is quite rightly sounding the horns and banging the drums about it. Wells spent twenty years writing mostly fantasy before Murderbot came out, and now she’s right back in the game. This is also a stand-alone. (I can see several of your eyes lighting up with heart emojis from here.)

We’re not in an era where secondary world fantasy really has a mold that everyone else is doing, but this sure is not it. Its protagonist, Kai, whose name is sometimes modified for various informative reasons, is a demon who inhabits bodies that would otherwise decay and rot. Dead people. He pilots dead people around all the time. This is not a book that handles it in a gross way, but it’s sometimes emotionally important whether he’s switched bodies and so on. There are also another couple of types of magic users, and there is quite a lot of conflict among them, who gets to be in power over whom, what things it’s ethical for them to do to each other.

All that sounds fairly abstract, but in the book it’s handled very concretely: there are two timelines, one of which gets you the backstory of these characters and their relationships (both the political and the personal) and the other is–well, they’re both adventure plot, more or less, with a lot of “who are we going to overthrow today and who can we trust” mixed in. It’s not a book with a lot of interiority (a funny thing to say about a book whose protagonist is literally interior to several other people along the way…), but it’s got a lot of interesting moving parts.

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2022: what I’ve been up to

Yes, it’s time for my year-in-review post! It’s been a year full of discoveries and adventures, sometimes even in the good way. (We try to make it in the good way.) We’ve gotten to the point where poems are not an exception, they’re just a thing I write now and going forward, and that’s weird, but again, we try to make it weird in the good way. I notice a shift toward more science fiction and less fantasy, but that may be balanced out by the fantasy novella I’m revising at the moment. We’ll see. Or it may not, that may just be where my head is right now. That’s okay too.

I’m sorry to see Daily Science Fiction shutting its doors, as they have been a fun and interesting magazine for several years now. I love flash as a length that allows me to experiment and play with form, so less of it–even just one magazine less–is sad for me. On the other hand, I’m happy with the story I wrote that closed out my time with them. I have hopes of continuing to enjoy work with the other editors I worked with this year, and I have seven things already in the works for 2023 and beyond–a lovely feeling of continuity and possibility. Also I accidentally started a new story yesterday. Ope.

Short stories:
The Plasticity of Youth, Clarkesworld, February
An Age-Based Guide to Children’s Chores, Daily SF, March
Family Network, Nature Futures, May
The Splinters of Our Bond, Beneath Ceaseless Skies, May
Michigan Seems Like a Dream to Me Now, Daily SF, September
Out of the Red Lands, Analog, September
Bonus Footage, Asimov’s, September
Merry Christmas from the Bremmers, Nature Futures, December

Poems:
Revelations of the Artificial Dryads, Not One of Us, January
Identity, Uncanny, September
Dante on the Metro, Mobius, November

Essays:
From Panic to Process: What Taking Criticism Actually Looks Like, Uncanny, May

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Schemes of the Wayfarer, by Drew Sarkis

Review copy provided by the authors, who are friends of mine. (This is a joint pseudonym.)

COURT POLITICS. Do you like fantasy novels about court politics? Because this sure is one. I like them myself, so I need to assure you: when it has “schemes” in the title, it is wall to wall scheming. The titular Wayfarer, various members of royalty, and nearly everyone else. All scheming, all the time.

Well, not quite all the time, there’s also food and sex and fighting. But many of those things come with a side of scheming sauce.

Keth has risen to the sort of minor prominence that comes from military service, and now her duties are mixed between the very physical kind of policing the Guard still needs to do and standing around smiling at annoying courtiers, wearing fancy court armor with a sword that wouldn’t do her any good in a real fight. She is startled to find that one of her old…friends? no…enemies? nnnnot quite…crushes? well, that’ll do…has returned to court as a wise and serene Wayfarer, ready to offer her services to the kingdom that raised her. All out of pure-hearted gratitude, of course…and all of Keth’s fears about “real” fights in court dress are about to come true, for various values of “real” and “fight.” Some of which include a gleeful minotaur. So onward, romping all the way.