Posted on 2 Comments

Home and House

I am home from Montreal and digging out from under the mountain of things that will pile up when you take a vacation. It was lovely, it was grand, and now it is lovely and grand to be home. And oh, so much stuff. So much stuff. Presents to wrap, more presents to buy and wrap. Stories to revise, more stories to write. The laundry is starting to feel a bit under control, although I know that this is an illusion, as the laundry hamper is almost full again. There are several things that want cooking, and more that want backing, and…well, most of you know what day it is, Saturday.

While I’m doing all this stuff, the magic of publishing brings you things I worked on much earlier. I have a new story up on BCS today, A House of Gold and Steel. Go, read, enjoy.

Posted on Leave a comment

Now don’t say I never give you anything nice.

1. Yesterday my friend Ginger Weil and I both had stories in the new issue of Apex. Mine is called The New Girl and is in the same universe as some other stories you’ve seen from me–most recently “The Salt Path,” also in Apex. Ginger’s is The Stagman’s Song and happens to be her professional fiction debut. Go, read, enjoy. (There’s also the rest of Apex I haven’t gotten to yet.)

2. Today I have a story in Nature, Boundary Waters. There is also a guest blog post from me on the Nature blog about it. So if you don’t have time to read “The New Girl” and “The Stagman’s Song,” “Boundary Waters” is much shorter but one hopes also a good read. (My two pieces go thematically together more than I expected, since I didn’t write them together and couldn’t plan that they would be published together. Very different settings and so on. See what you think.)

3. Speaking of my stories, there’s still time left in the Not Our Kind Kickstarter. It’s more than 60% funded, and there are new backer rewards that are worth checking out.

4. Not at all speaking of my stories, Tim is having his holiday print sale early this year. Lots of excellent new work in that as well as old favorites, and an easy way to see the existing photo gallery behind that link if you’ve been trying to remember what it was you wanted.

5. I have been doing a new craft project or art project or something. I have been making things. And the problem is, I am surprising people with these things for Christmas, so I cannot say what they are. I am even surprising Mark, so when he isn’t traveling for work, my materials get bundled away into my office closet. I am really not good at not talking about this kind of project, and it’s driving me a bit bazoo to not be able to talk about what I’m figuring out from first principles and what I’m learning from other people’s successes. A few of you are getting this on email. The people I would most want to say it to, though, are my mom and Stella and Sherry, and they are the people who most need surprising. It keeps coming up naturally in conversation and making me go, “Nnnng!” There was even a Terry Pratchett joke I couldn’t make yesterday. It is so unfair, and we’re nowhere near Christmas yet. (On the other hand, we are near enough to Christmas that I do need to keep working steadily on these items when Mark is out of town!) I finished Kev’s yesterday, and it’s lovely, it’s–

Not a pony. It is not a pony. Nobody is getting a pony.

That’s all I have to say about that.

Posted on Leave a comment

Short-short for your Monday morning

(It will not get longer if you read this later than Monday morning.)

Here is a new short story from me and Daily SF: Emma Goldman: A Biography for Space Aliens. As you will see at the top, this is in the Gronklorf and Fizzoom Notable Earthlings series. Gronklorf and Fizzoom’s Notable Earthlings! Buy the whole set for your spawn!

Or just read this one for free. Your call.

Posted on Leave a comment

Not Our Kind

I have been sitting on this good news, and now it can be told! My short story, “The Hanged Woman’s Portion,” will be included in the anthology Not Our Kind, along with other cool stories by other cool people, and you can see all the information about it here on the antho Kickstarter page.

Because yes! It is a Kickstarter! It needs kicking and starting, and the publisher asked if we could talk a little about our stories. So first of all, when Nayad asked me to be part of this project, I was thrilled, because for all the stories I have published, no one has ever invited me to be part of an anthology before this one. The theme is outsiders of various kinds, and I immediately thought of a human woman in an alien jail. It can be hard enough to navigate a criminal justice system in your own country, but as a foreigner, how much harder–and then a literal alien, a person of a different species from a different biosphere–how much more difficult would that be, trying to figure out the rules, the norms, the customs? Human assumptions about how we relate, how we gain sympathy or lose it, become even more important in that setting. I had a great deal of fun writing this story, and it was great working with Nayad on it. I haven’t read the others, but the experience of working on this one makes me expect great things of the rest.

In the Kickstarter rewards, there are critiques from me and brownies from me and many other cool things from other people, as well as the anthology itself. Go have a look! I hope you like what you see. I think you will.

Posted on Leave a comment

pre-order gets you the same pretty cover

Just a quick note that the pre-orders are available for the Futures 2 anthology, in which I have a story–and so do 99 other people. Hard to beat that with a stick. Especially since it’s an ebook.

I would like to say something more here, but the neighbors behind us have let their dog out to bark since 8:30 this morning without more than 15 minutes of pause, and it turns out that I am able to focus through that to do three of the four of the following: 1) wrangle my own dog into not barking constantly; 2) write some fiction; 3) handle necessary house chores; 4) write a long blog post. So: sorry, folks. Tomorrow, I hope.

Posted on Leave a comment

Wednesday assortment

1. I am in SF Signal’s Mind Meld this time around. It’s about the Suck Fairy and avoiding same. I think one of the things I thought of after, reading the other answers, is that you’re bringing different things when you’re at different ages. Sometimes you’re bringing your innocence or naivete. You shouldn’t feel bad about that–but you also shouldn’t feel bad about bringing greater judgment and experience later.

2. DDB is having a print sale at The Online Photographer, a very different kind of photo than the ones I usually link with Tim’s work. Check it out here.

3. I made a Sooper Sekrit Short Story Sale. It is both Sooper and Sekrit. I will let you know the details when I can, but suffice it to say: I am pleased.

4. The electric company is performing shenanigans in our vicinity. This is what I get for saying things about how I value infrastructure, isn’t it? Sigh.

5. If I have a fifth thing, this will remind me of Rise. And being reminded of Rise is a good thing, because there are still those of you out there who miss her and her “five things make a post” posts, too. Cancer: it stinks. Hearing news from another friend reminds me of the stinkingness of cancer and of how the little things that remind us with a smile of fallen friends are not to be neglected.

Posted on Leave a comment

Completely unsatisfying 4th St. con report

Look, folks, I’m terrible at con reports. I never take good panel notes, and I feel like I’m name-dropping if I list the people I talked to. Worse, I feel like I’m name-dropping incompetently, because I’m sure to forget some of my favorite people and make them feel like they aren’t valued, which is just plain unacceptable. So we can’t have that.

But Fourth Street! It was a Fourth Street! And Fourth Street is my favorite con. I am an introvert, and I like very chewy nerdy theory conversations. The single-track mode of programming at Fourth Street sets that up perfectly. Everyone is pretty much in the same place, where you can find them easily, so there is no wandering through hordes and hordes of people looking for the ones who might be talking about things you like. There they are. If you’re looking for one in specific, there’s a very limited number of places that person might be. And the conversation is not limited–it’s very far-ranging, in fact–but it does tend to have all sorts of ready-made entry-points from panels and the little extra things that spring up around the official programming.

This was the first time I’d done anything like the writers’ seminar that precedes Fourth Street. It was basically like being on panels solidly from 9-2:30, with one fifteen-minute break in the morning and one hour-long break for lunch. Lunch was provided–which was good, because by the time lunch rolled around, I was literally shaking with exhaustion/hunger. (Keep in mind that I was really sick for the week preceding the con. Wednesday was the first day I was well enough to shower standing up. Thursday was the first day I was well enough to wear clothes. Then Friday I did the seminar! Um, go team!) So having the lunch provided was great…except that it was with the seminar participants, so it wasn’t really down time per se. I’ve talked to the organizer, and things will be slightly different next year, to allow for value for the participants while still allowing the seminar leaders a minute to themselves.

Every year I try to encourage people to come to Fourth Street. This year is no different. Every year I meet new awesome people. Every year I reconnect with some of my old awesome people, and lament the ones I didn’t get enough time with (both at the con and the ones who couldn’t make it). Seriously: think about this con for next June. There are all sorts of ways to stretch and grow as a writer. Fourth Street is one of them. I came back with six pages of notes for different projects, ideas that had been sparked by things various people had said. It’s that kind of con.

One thing I remember saying on one of my panels that I do want to repeat here: I was talking about how my agent reacted (well! she reacted well!) when I told her I’d been struggling with some health stuff. I said something like, “Everyone in this room deserves to work with people who treat them ethically. All of you. You deserve someone who treats you like a person, with consideration and respect.” That was not actually meant to be limited to that room. Wherever you are in your career–whatever your career is–you deserve ethical treatment, consideration, and respect from the people you work with. Don’t let anybody tell you differently. It matters. There was lots of theorizing and arguing about craft and story and art, and all that is important. It really is. But I really want that point to be heard, because sometimes I think those of us who have been striving for something in the creative professions can want it so badly for so long that we can lose sight of other considerations, including some incredibly important ones.

Anyway. It was Fourth Street, it was lovely, and then I came home and found that I’d sold my 4H kids in space story to Analog. It’s called “Blue Ribbon,” and it’s much darker than it sounds; these things happen. Anyway, it was a great ending to a great con. You should think about coming next year.

Posted on 3 Comments

Items! of! Interest!

First, Alec and I have a story in the September 2014 Analog, “Calm.” The author copies arrived late last week (making the fourth pro magazine I had a piece in last week, eep, what a week!), so it should be hitting stands soon-ish.

Next, my Fourth Street schedule. I’m one of the people doing the pre-convention seminar, along with Steven Brust, Elizabeth Bear, and Seanan McGuire, but that’s already closed, so if you’re doing that, you already know about the times and topics. For the convention itself–for which you can still get memberships! June 20-22!–here are my panels:

Saturday, June 21, 2014 11:00 AM – The Influence of Anxiety How do our fears and worries affect our work, and what we can do about it? How does that change when our anxieties are rooted in brain chemistry and the usual run of nostrums and advice to writers prove ineffective?
Sherry Merriam (m), Stella Evans, Scott Lynch, Marissa Lingen

Saturday, June 21, 2014 5:00P – In and out of frame In fantasy, as with stage plays and magic tricks, a key skill is directing the reader’s attention. What are some examples of successful (and less successful) attention direction and sleight of hand and the motivations behind them? Are there certain topics it’s easier or harder to guide readers toward (or away from)?
Marissa Lingen (m), Catherine Lundoff, Liz Vogel, Maurice Broaddus, Pamela Dean

At least, that’s how it was listed when I got the initial email from the programming chair. I believe that Maurice Broaddus had something come up so that he couldn’t make it, and the programming chair was going to ask a member who had bought a membership after he first figured out panelists to take Maurice’s place. As far as I know, the program has been set but has not been posted to the website–but when I saw that Catherine had posted her panels, I thought, yes, what a good idea, so here are mine.