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Books read, early January

Max Adams, The King in the North: The Life and Times of Oswald of Northumbria. Seventh century Northumbria is not something I’ve gotten a lot of outside of Hild (which is fiction), so it was a lovely gap to have filled in. I really like the interesting interplay between various ethnicities and religions/religious subtypes. Fascinating stuff, lots of maps, lots of discussions of how we know various things about this period.

Alan Bradley, As Chimney Sweepers Come to Dust. I squeed when I saw this existed. It’s the seventh Flavia de Luce mystery, and the sixth put a pretty firm period to the series, [redacting] Flavia off to [redacted]. Well, it turns out that [redacted] has murders and opportunities for intrepid girl chemist-detectives to poke their noses into things, too! So Bradley is ending plot arcs, not the series, HURRAH MORE FLAVIA HURRAH HURRAH.

Nancy Marie Brown, Song of the Vikings: Snorri and the Making of Norse Myths. Interesting take on the saga writer, effects on his life and his effects on further sagas. Sometimes good to argue with.

Greer Gilman, Exit, Pursued by a Bear. Kindle. One of Greer’s Jacobean noir novellas. Language just a perfect romp. Not long enough to get tired of any particular playwrights, fey, etc. even if you have low tolerance for any particular among them.

Barbara Hambly, Crimson Angel. Latest in the Benjamin January series. I think it would work all right as an entry point, although I recommend reading the whole series. This dovetailed nicely with my reading the last few months, because it’s partially set in the Caribbean and deals with the effects of the Haitian Revolution, among other things. Slavery, family, and more. I probably shouldn’t have read the latest installations of two of my favorite mystery series in one fortnight, but I am weak.

Florian Illies, 1913: The Year Before the Storm. What a strange little book. It’s a very narrative style, telling the story of that year in retrospect–the things that we think of as important harbingers of future things now rather than what the people of 1913 would have thought of as important. It’s translated from the German, and that’s remarkably clear: the focus is Germanophone (? is this the equivalent of Anglophone or Francophone? what I mean is not just citizens of Germany but also throughout the Habsburg lands of the time), and the focus is very much avant garde, to the point where someone who has not thought much about the continental avant garde of the early 20th century would end up saying, “Who?” repeatedly. There is nothing of Asia, Africa, or South America in this book, and apparently the main notable thing that happened in 1913 in North America was that Louis Armstrong first picked up the trumpet. (Which, hey: notable. I just think that once you’re reporting on when in 1913 Picasso had a cold, you might notice a few other things in the world.) Funny in spots, interesting in spots. Very weird.

Tove Jansson, Comet in Moominland. Reread, but not since approximately grade school. This says “1” on the spine, but I don’t recommend starting here. Jansson is clearly still getting her feet under her. It has some funny bits (OH THE HEMULEN), and I think it’s worth reading, but you’ll get the wrong impression of how good the series is if you start here, and there’s no reason to read them in publication order, really none–on the first page there’s mention of the flood that’s in a later book, so. May as well start later, with something where she’s got it on all cylinders.

Matsu Kannari, Kutune Shirka, the Ainu Epic. This is very short but filled with otters. It is not a complete epic, it’s a fragment of an epic. Still, there’s not that much in English about the Ainu–Japan is mostly presented as a monolith, culturally/mythically–so this is a good thing to have.

Frank L. Klemen, Dark Lanterns: Secret Political Societies, Conspiracies, and Treason Trials in the Civil War. (US Civil War, just for the record.) This was not what I hoped it would be. It’s not really the book’s fault: it did a perfectly cromulent job of covering mostly pro-Confederate conspiracies and secret societies in the North during the US Civil War itself. But I was hoping for a broader scope than that–leading up to the war and after the war would have been nice, and more of the pro-Union secret societies as well. (MORE WIDE AWAKES.) So I will have to find another source for that stuff.

Pascu Stefan, A History of Transylvania. This is an old book, from the Soviet era, so there are weird things about it. Particularly there is a firm and abiding hatred for Pan-Slavism that takes its form in insisting that Romanians are true Dacian Romans dammit. And you can see why, living under the Soviet influence, that might be a direction of subtle rebellion–Russia has often used Pan-Slavism to mean Russian domination. But Pascu didn’t really seem to see how similar the situation he was describing was to, say, Gaul. Ah well. Still some interesting gaps filled in, mostly in the “kings and crowns” direction.

Abra Staffin-Wiebe, A Circus of Brass and Bone. Kindle. Discussed elsewhere.

Brian Staveley, The Providence of Fire. Discussed elsewhere.

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And by “people,” I mean….

I was on the phone with my favorite great-aunt today, and I told her that I had been going through my stories in a particular setting, writing down a master file of who was who and who was where and who was related to which other person so that I wouldn’t contradict myself in future.

Auntie: “Oh, that’s good! Because some people get really engrossed in their reading and then get irate when there are contradictions and mistakes. And by ‘people,’ I mean your uncle.”
Me, laughing: “He’s not the only one.”
Auntie: “No, dear, but I live with your uncle.”

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A Circus of Brass and Bone, by Abra Staffin-Wiebe

Review copy provided by author. For further disclosure, the author is a personal friend, and we’re in the same writing group, although the group did not critique this book.

A Circus of Brass and Bone is a dark fantasy set in an aether-powered alternate 19th century, and it starts with catastrophe. It was originally an online serial, but I hate serials (haaaaaate), so I didn’t read it that way, because then I would hate a book that didn’t deserve it.* The story follows a circus caravan through the ravaged northeast, as its members try to figure out who they can trust (inside the circus as well as among “civilians”) and how they can survive. There’s a lot of worldbuilding here–the world has a texture and a past that appeals even as it appalls–clearly lots of thought about what the aetheric applications are and what they can do, most of which is entirely backstory because the entire system is completely blown to shreds. Logistics are not foregrounded here but are important. Also relationships with animals vary realistically and interestingly, as you would hope for (but not always get) in a circus novel. The ending ties up the personal-level problems but not the world-level ones, leaving plenty of room for sequels or related work in the same setting if Abra decides to go that direction.

If I hadn’t heard another friend saying that it was too creepy for her, I wouldn’t even think to make a note of the creepiness, because it’s nowhere near my line for not liking horror, but apparently some of the aetheric…issues…are too much for some gentler sensibilities? Honestly I don’t expect that to be a problem for many people. The characters have a lot of bad stuff happening to them, but they retain both agency and their moral sense. The darker scenes never devolve into hopelessness or pointless gore.

Probably my biggest problem was with Tuckerizations, which I hate like I hate serials. They bother me more when I know the author’s social circles (as I do Abra’s), but honestly there’s often a way about them that’s very obtrusive–times when a character gets a both-names reference where it would be more natural to use only given name or only surname in a dialog tag, or when you find out a full name that you have no need to know, or when something is ethnically inexplicably out of place. That’s a fairly subtle thing, though, and most people either don’t find Tuckerizations as problematic as I do or won’t know enough of Abra’s social circle to spot them while reading (or in some cases both). They’re labeled in the endnotes for people who find that fun and interesting, which I know some people really do.

*Seriously, I tried reading Dave Schwartz’s Gooseberry Bluff Community College of Magic: The Thirteenth Rib that way, and I had to stop and just read it when it was all done, because I could tell that it was a book I would not hate, and serials: haaaaaate. So at least I know not to do that again.

Please consider using our link to buy A Circus of Brass and Bone from Amazon.

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Now it can be told: papercutting

In the months leading up to Christmas, I talked about my Sooooper Seeekrit Project here and there. I wanted to surprise the friends and family I spend Christmas with, and “yours is this variation” seemed less surprising than “guess what I’ve been doing.” But now there’s only one not yet delivered of my first batch, and I’m going to make more for people but don’t want to keep it secret indefinitely, so I’m going to go ahead and blather about it: what I’ve been up to is papercutting.*

This started when I was blue about not getting to do my Scandinavian Woodcarving class. I kept trying to think of other fun things I could do, and stuff like “the concerts we already have tickets for” and “maybe we can go to a Gopher Women’s Hockey game” sounded good but was not the same sort of thing. Not scratching the same itch. What I really needed was to make something I could touch with my hands. Ideally through ostensibly destructive means. Right? You cut the crap out of some poor defenseless block of wood, and suddenly you have a goat. Or a sailor or a gnome or a bunny or a status of your son the PhD candidate, judging from the other people in my former woodcarving class. I, too, wanted to cut the crap out of something! Just not, y’know, my finger again. That part was not great.**

And then! I realized! Years of loving paperdolls had fitted me for cutting the crap out of things and ending up with something cool. That is my wheelhouse. That is my bailiwick.

First problem: I overestimated the cool papercutting templates out there. I started out thinking of this as something I would just do from other people’s templates. It turns out that despite the amount of messing with paper scrapbookers do, they don’t really want to cut intricate silhouettes of cool stuff all that often. There was, for example, no octopus template. There was no giraffe template. There was no template with a castle that said, “Have fun storming the castle.”

Well. There is now. So yeah…there are still some cool templates I’m cutting from other people’s designs, but I moved into making my own almost immediately. Lots of trees, for little things. And then other stuff, sea turtles, kittens, Daleks, lots of word-lace…so that part is fun. And it was completely unexpected. I think of myself as unable to draw, is part of it, when it turns out I’m pretty okay for the purposes of silhouette, and the other part is that I overestimated how eternal scherenschnitte and similar crafts would be–not that many people are doing it just now, and craft stores are full of scrapbooking and knitting/crocheting and quilting. And that’s about it.

Second problem: my trusty scissors can only do so much. Here is where the scrapbookers had my back. So I bought myself a little xacto-style knife but with a short looped handle and a blade cover. Because see above re: my finger. I also bought myself a cutting mat. It is pink. Pink is the only color they had, so pink it was. And at that point I was in the craft store buying stuff, and so I bought a fine-tipped Martha Stewart brand glue pen. (Ultra-fine-tipped. Seriously.) This last purchase was not greatly successful; it works beautifully at first but stops being, well, gluey, very very quickly. So we are still working on how to mount these things.

But I got everything done for Christmas, and I have plans to make things for some of you, and also! Also there is a new plan! And the new plan is this: I will take a continuing ed course called Conceptual Cartography, about maps as art, and I will do a papercutting mythic map of Iceland, with the different places different things happened in the sagas symbolized appropriately. (Or, y’know, inappropriately. It being Iceland and all.) And I will take pictures and yay. Yay, yay, yay.

*Well, and I wrote chapters of a thing to surprise Tim with, since he knew about the papercutting–I was doing it while Mark was out of town, but I couldn’t really get enough of a head start to get it all done in weird morning hours while keeping it secret from Tim. So he knew. But I didn’t think it was right that everyone else should get a surprise and not him, so I wrote the beginning of a thing. Surprise!

**It has finally stopped hurting when I press on the skin of that knuckle, but it can still ache when it gets reeeeeally cold. Progress.

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The Providence of Fire, by Brian Staveley

Review copy provided by Tor Books.

This is the second book in a series. The first one, some of you will recall, was a bit disappointing in that it focused on the two brothers who were fairly standard fantasy novel archetypes and gave very little space to their sister who was a princess who was also Minister of Finance.

Well! You will be pleased to know that Adare, the princess in question, appears a great deal more in this book.

She is no longer Minister of Finance. She acts very little like a former Minister of Finance. I don’t really understand why Brian Staveley came up with a POV character who was Minister of Finance if he didn’t want to write about one.

Also in increased content over the previous book: torture. Lots and lots more torture. General misery, despair, and definitely torture.

Oh, and also phoneticized “peasant” dialect. You know, for the scum common people.

Whee.

And yet I read this volume all the way through, so there have to be some good things about it. I was mostly invested in a handful of secondary characters, honestly, and the prose style is readable (when not doing phoneticized dialect), and I was hoping that the spoilerific means of getting from place to place would have some interesting stuff attached to it.

I’m not sure this is grimdark proper, but I suspect that people with a higher tolerance for grimdark than I have would enjoy it more.

Please consider using our link to buy Providence of Fire at Amazon.

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Things I Learned From Watching Cop Shows

1. If someone close to you is brutally murdered and you feel the urge to ask the police, “Do I need a lawyer?”, YOU NEED A LAWYER. Possibly even if they are gently murdered.

2. All people in the British Isles get their exercise by running very close to the edge of cliffs. Nobody in the UK or Ireland goes to the gym or runs on pavement or in a forest or something. Always a cliff, usually with no guard rail.

3. It is totally normal for a very recent widow or widower to make sexual advances to a police officer or other investigating detective. No one finds this suspicious. They should, of course, because it nearly always turns out to be relevant to the case. But apparently there are tons of cases we don’t see in which, “My spouse died this morning, helloooooo Officer Friendly!” is one of the stages of grief that Kubler-Ross missed, because no one ever goes, “hmm, that’s weird, possibly I should consider why this is happening other than my incredible personal magnetism.”

4. When people say that poker is a game that relies on skill and the better player will win in the long-term, they mean that ten to twenty hands should do it. It’s best if you form an elaborate plan for catching murderers (or other criminals!) that relies on someone on your investigative team winning one particular hand at one particular moment, with no way to cheat with the deck or dealer. That should be fine.

5. Boxing, on the other hand, is something that boxers don’t spend years training to do well. You can throw a random tough person at boxing and have them win at a crucial moment to catch a bad guy. Tracking down evidence is usually secondary to this.

6. If you worry enough about doing the right thing, no one will care that you never actually do it.

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Pacific Fire, by Greg van Eekhout

Review copy provided by Tor Books.

This is the sequel to California Bones, and while having read the first one adds a lot to one’s understanding of the characters and setting, I think it would be a perfectly reasonable place to dive into this world. There are lots of weird things going on, but I think they’re weird things a reader could pick up on readily: golems who are functionally pretty human, osteomancy as a major force in human culture, an alternate Southern California that’s filled with institutions that are close but not quite the same.

The main character of California Bones, Daniel, returns older, wiser, and with a teenaged golem in tow. Sam, the golem, has been learning magic and life from Daniel, not that it’s a great life under the circumstances. Sam is the late Hierarch’s golem, and everyone expects him to be one of the greatest osteomancers ever. To date he has been completely underwhelming. He has to stay mostly hidden, because he looks like the Hierarch, so–no friends, no school, no home, nothing stable, nothing normal. Nothing a young golem’s heart yearns for, nothing but more magic practice and more truck stops.

Until the powers-that-be in LA start putting together a Pacific Firedrake. Sam and Daniel know that this is the magical equivalent of the H-bomb, the super-weapon, the one thing you do not want the other guy–or pretty much any other guy–to have. So they set about stopping it. Naturally, this doesn’t go quite as planned, and they need a series of allies–old friends, new clones, a throwaway reference to a pretty cool creature–to help them achieve…something. That is sort of like their goal, sort of? In a goal-like way? Look, I try to avoid spoilers. There’s closure, I will say that. Definitely closure. Fun stuff, and the LA references feel more geographical and less cultural to me this time around, so there are fewer “really, alternate history got there?” moments. (Also, I like second books for a reason, and one of them is that my expectation structure is set.) Recommended.

Please consider using our link to buy Pacific Fire at Amazon.

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Books read, late December

Elizabeth Bear, One-Eyed Jack. This is the Promethean Age book without an “And” in the title. It’s full of the Matter of Vegas, and full of sidelong cultural references that clarify themselves if you don’t get them the first time. The cultural myths touched on here aren’t my personal myths, but they’re still well-handled.

Mary Beard, Pompeii: The Life of a Roman Town. Lots of stuff about Pompeii and what we know about it pre-lava. The factoid that will haunt my mental nostrils is that they had an amphitheater/coliseum that seated 20K people, and archaeologists have not yet found any trace of any latrines whatsoever, so–20K people using the stairs and corridors. Aughhhhh Rome.

Tobias S. Buckell, Mitigated Futures. Kindle. This is a very well-chosen title. The futures Buckell portrays in these stories are alarming in spots, but never overwhelming. There’s always a human note–not always hope, but at least one of its cousins–to temper the rough spots.

Sean B. Carroll, Brave Genius: A Scientist, a Philosopher, and Their Daring Adventures from the French Resistance to the Nobel Prize. This is about Monod and Camus, at the beginning and at the end. In the middle it’s substantially about the French Resistance, to the point where I shelved it with WWII history when I was finished. Carroll is a biologist I saw at Nobel Conference this fall, so I was excited to have his latest book. Readable and interesting, and I was not particularly interested in Camus, going in.

Peter Dickinson, Inside Grandad. Kindle. I am so glad that Jo warned me what kind of book this is when she recommended it, so that I made sure I could read it when I was going to see Mark’s grandpa and could get a hug from him. This is the incredibly well-done story of a boy coping with his grandfather’s stroke. If you’re a person who has had a grandparent who was really, truly central to your life, this is a book that understands that down to the very finest details–and also understands what it’s like for that person to be old and dying. Some kinds of understanding are both needed and difficult, and this is one of them: I always want more grandparent books, but in this case I wouldn’t have wanted to read it without Grandpa Lyzenga or Uncle Phil around imminently, since Grandpa can’t be. So hard, so good.

Corinne Duyvis, Otherbound. A YA portal fantasy that goes into really gritty awful detail about the logistical down sides of some of the methods used in other portal fantasies. The fantasy world has not been an unmixed blessing for the protag, but neither is it an unmingled horror. I like logistics, and I cannot lie, although the ending was a little off for me.

Elizabeth Gaskell, North and South. Kindle. This is a Victorian novel that refutes all sorts of ignorant nonsense about what kinds of things women were interested in and what kinds of things Victorian writers were interested in. It has a young woman figuring out her future, but it also has union organizers and factories for weaving cloth, it has all sorts of classes of person, it has the effects of technological change on philosophical outlook and practical daily life. It is really really good, and I have no idea why it’s not the sort of thing one gets assigned early and often in school. If I were conspiracy-minded…well, let us say that I like this book and find it very worthwhile and think more people should read it. Yes, let’s leave it there.

Michael Holroyd, Lytton Strachey. Biography of a writer in the middle of a large circle of interesting acquaintance. The cover helpfully points out that it is now a major motion picture, which I doubt extremely for any reasonable definition of major. (Perhaps it was made by someone who mustered out before they were promoted to Lt. Col.?) And it was also confusing, how this giant sprawly biography could become a movie. Then it became very clear when I found out the title of the movie: Carrington. It’s not a movie about Lytton Strachey per se. It’s a movie about Dora Carrington. Who is not in several hundred pages of this book. That does make things easier.

Benedict Jacka, Cursed. Very fast read, fun urban fantasy methodone for until deeper urban fantasies about male magicians in London come out with their next installation. This was filling in book two of the series when I had already read one and three, so it was probably slightly less interesting than it would have been, but still held my attention just fine. Will keep on with the series.

Ursula K. LeGuin, Very Far Away from Anywhere Else. A slender volume–probably too short for today–of mainstream YA, figuring out how to handle oneself and relate to others without actually being a “problem book.” Fluid and readable without standing out particularly.

Blair MacGregor, The Key. Kindle. A fantasy novelette or novella. I think Blair’s better stuff is at longer length, but it still kept me entertained throughout.

Dominica Malcolm, ed., Amok: An Anthology of Asia-Pacific Speculative Fiction. Kindle. I enjoyed having this anthology in general, with its diversity of voice and setting, but I didn’t find that any one particular story jumped out at me for mention. I guess it was bound to happen sometime, but usually if I don’t feel like mentioning any stories it’s because I didn’t enjoy the anthology, and that’s not the case here.

Salla Simukka, As Red as Blood. First in a Finnish teen thriller/mystery series, with a protag who is wise beyond her years and many of her peers who are…not. Zippy fun, will look for the next one when we get it in English.

Lynne Thomas and Michael Thomas, eds., Uncanny Magazine Issue 1. Kindle. An oddity of how I reckon what I’ve read: entire issues of magazines don’t make the list unless they’re on the Kindle. In any case, I’m glad I took a look at it as a whole (I had read a few things that were linked before but not worried about catching everything; I knew I had an ebook), because it reminded me to tell people how much I liked Amelia Beamer’s Celia and the Conservation of Entropy. There were other good things, but that’s the one that really spoke my name.

Mark Twain, How to Tell a Story. Kindle. Another anomaly in how I count books read: if it’s a separate ebook, it gets counted. But this is just an essay. Entertaining enough, and it’s pretty much what you’d expect from knowing that Mr. Clemens wrote an essay with that title.

Elizabeth von Arnim, Elizabeth and Her German Garden. Kindle. A short volume, very domestic as one might expect, but more given over to complaints about some kinds of houseguests than the title would indicate. She’s very readable and entertaining so far, even when she’s not writing about very much in particular.

Jo Walton, The Just City. Discussed elsewhere.

Richard Zimler, The Last Kabbalist of Lisbon. Kindle. Zimler’s specialty is apparently murder mysteries while horrible things are going on. This one is set during anti-Jewish pogroms as the Jews are being removed from Portugal. Like the Warsaw Ghetto mystery he wrote, this is vivid and well-done and not for moments when you are low on cope, which is probably why it sat on my Kindle for months until I was cozily tucked into a family Christmas situation.

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The Just City, by Jo Walton

Review copy provided by Tor. Also the author is a dear friend of mine, and I read this book in manuscript before I read this published version.

This is a book about time travel, robots, and eccentric philosophers using ancient slave children to experiment with approximating Plato’s Republic, with the help of the goddess Athene.

It’s also a book about consent. Once you bring Platonism in this far to the front-and-center, theme is not going to be an optional extra that can sort of sneak up on you, and The Just City is not an exception to that rule. Consent–not just in a sexual context, also in a work and personal context–goes from first page to last. If you don’t want a book that’s dealing with consent (and with historical figures and Greek gods not always having a great grasp of it), then this is not the book for you.

I think substantially because I never had a Mediterranean focus, I never had the, “I want to live there!” or “I want to try that!” reaction to Plato’s Republic–which makes it more fun to watch it twist and disintegrate than if I was a hard-core Platonist, I think? There may be hard-core Platonists about who can give me the report on the experience from their perspective. But mostly I got to enjoy Simmea and Maia striving so hard for this strange thing that kept shifting under them, and what I do like that it was like is the kind of utopian commune experiment that 19th-century America was chock full of. Um. What I do like to read about. Because I would not live on one for love nor money. Really: no. Really really: no.

One of my consistent complaints about fantastic fiction is that it’s hard to find books that treat the Greek gods as genuinely not very nice. This is a definite exception. The Greek gods in The Just City are not horrible brutes, but they are definitely not your pals–they take some of the worst aspects of being human and being alien, without becoming nuance-free monsters. I also enjoyed how thoroughly Socrates was rolling his eyes at people’s reactions to Plato. Also just structurally, the last sentences of the chapters are so very well done. But my favorite thing is probably the robots, actually. I like the robots quite a lot, and all the stuff around them, most of which is spoilery. More robots. Robots yay.

Please consider using our link to buy The Just City at Amazon.

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Year in review 2014

I know, it’s not the end of 2014 yet, but I will be Christmasing merrily away for much of the rest of the year, and then collapsing in a heap. So it seemed like a reasonable time to talk about this year in writing.

My bibliography tells me that I have twelve things with 2014 publication dates, which seems like a goodly number. (Right now it actually has thirteen things with 2014 publication dates, but one of them is a tyop it is on my list to fix.) I appeared in new places! I reappeared in old places! I made my first invitational anthology sale! Hurrah stories! They are:

The Young Necromancer’s Guide to Re-Capitation (co-written with Alec Austin), On Spec, Winter
Ask Citizen Etiquette, Asimov’s, February
The Suitcase Aria, Strange Horizons, February
The Stuff We Don’t Do, Nature, April
The Salt Path, Apex, June
Maxwell’s Demon Went Down to Georgia, Nature Physics, June
Calm (co-written with Alec Austin), Analog, September
Emma Goldman: A Biography for Space Aliens, Daily SF, October
The New Girl, Apex, November
Boundary Waters, Nature, November
A House of Gold and Steel, Beneath Ceaseless Skies, December
The Hanged Woman’s Portion, Not Our Kind, December

Also I wrote a lot more stuff. I didn’t finish any novels this year, but I worked on some that will pay off next year, I think. And so far–this is one that could easily change depending on my mood and everyone else’s mood at the lake house with the in-laws in the last week of December–I’ve finished twenty short stories. Which is quite a few short stories, actually, even for me. I looked, and that’s how many I wrote last year, too, but I don’t plan on doing it every year. Also I have more short stories waiting to come out (six) than I did last year at this time, so that’s good.

(One of the things about that is that I calibrated how many short stories I should have in circulation at any time back when I was not quite as good at short stories. So I was selling a smaller percentage of them. Still, I am adjusting what “a reasonable number of stories out in circulation” means for me. Some things are a process.)

Last year I talked about having the spigot, just being able to write and write and write. This year I did not have the spigot turned on. And I wrote anyway, and it was good, and other people liked the stuff I wrote, and I liked the stuff I wrote, and I even had fun with the stuff I wrote. So that is its own kind of victory: to be there, to be hanging in and doing it and making the art work, when it’s not in free flowing amazing mode.

Also I led the Fourth Street beginning writers’ seminar, which I will do again next year, and ideally next year I will do it when I am not recovering from such a bad virus. (As I said at the time: on Wednesday of that week, I was still so sick that we had to put a stool in the shower for me to sit on, because standing up long enough to shower was still too much for me–not because of the vertigo, because I was just that sick and weak. On Friday morning I went to lead the writers’ seminar. I think it went well! I just think it can go better next year when I am not quite that wretched.) And I have learned a great many things this year about process and about people in one’s writing life and about a great many other things, so I will have different things to say next year. So that will be good too.

So onwards.