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Favorite short fiction of 2019

These are not sorted by anything but authorial last name. There are novellas, there are flash pieces. If you’re wondering why there’s a slight difference in formatting, the answer is that the ones I read early last year got formatted slightly differently, and I am too exhausted in the aftermath of my appendectomy + shingles to reformat everything to match each other, so as long as the link works I figured we could cope. I did try to find the places where autodefect had changed people’s names to adjectives or other charming alterations. Onward! Enjoy short fiction! I have already started compiling my 2020 list….

Morgan Al-Moor, The Beast Weeps With One Eye (Beneath Ceaseless Skies)

Elizabeth Bear, Deriving Life (Tor.com)

Elizabeth Bear, Erase, Erase, Erase (F&SF)

Elizabeth Bear, A Time To Reap (Uncanny)

M. E. Bronstein, Elegy of a Lanthornist (Beneath Ceaseless Skies)

Octavia Cade, The Feather Wall (Reckoning)

Chen Qiufan, Coming of the Light (Broken Stars)

John Chu, Beyond the El (Tor.com)

John Chu, Probabilitea (Uncanny)

Deborah Coates, Girls Who Never Stood a Chance (F&SF)

Tina Connolly, A Sharp Breath of Birds (Uncanny)

Nicky Drayden, The Rat King of Spanish Harlem (Fiyah Issue 9)

Meg Elison, Hey Alexa (Do Not Go Quietly)

Ruthanna Emrys, Cassandra Draws the Four of Cups (Strange Horizons)

Theodora Goss, The Cinder Girl Burns Brightly (Uncanny)

A. T. Greenblatt, Give the Family my Love (Clarkesworld)

Gregory Neil Harris, “The Midnight Host” (Fiyah Issue #12)

Alix E. Harrow, Do Not Look Back, My Lion (Beneath Ceaseless Skies)

Amanda Hollander, Madness Afoot (F&SF)

Osahon Ize-Iyamu, More Sea Than Tar (Reckoning)

Rachael K. Jones, Oil Under Her Tongue (Do Not Go Quietly)

Cassandra Khaw, What We Have Chosen to Love (Do Not Go Quietly)

Jonathan Kincaid, The Ishologu (Fiyah Issue 9)

Carrie Laben, Postcards from Natalie (The Dark)

Jon Mayo, A House With a Home (Anathema)

Jo Miles, Your Guide to the Ever-Shrinking Solitude on Planet Earth (Nature)

Mimi Mondal, His Footsteps, Through Darkness and Light (Tor.com)

Ada Nnadi, Tiny Bravery (Omenana)

Karen Osborne, The Dead, In Their Uncontrollable Power (Uncanny)

Charles Payseur, Undercurrents (Beneath Ceaseless Skies)

Aimee Picchi, Search History for Elspeth Adair, Age 11 (Daily Science Fiction)

Rivqa Rafael, Whom My Soul Loves (Strange Horizons)

Jenn Reese, A Mindreader’s Guide to Surviving Your First Year at the All-Girls Superhero Academy (Uncanny)

Karlo Yeager Rodriguez, This Is Not My Adventure (Uncanny)

Merc Fenn Wolfmoor writing as A. Merc Rustad, With Teeth Unmake the Sun (Lightspeed)

Nibedita Sen, Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island (Nightmare)

D. A. Xiaolin Spires, Nutrition Facts (Uncanny)

Rachel Swirsky & P.H. Lee, Compassionate Simulation (Uncanny)

Lavie Tidhar, Venus in Bloom (Clarkesworld)

Eugenia Triantafyllou, We Are Here to Be Held (Strange Horizons)

Greg van Eekhout, Big Box (Uncanny)

Nghi Vo, Boiled Bones and Black Eggs (Beneath Ceaseless Skies)

Ginger Weil, The Day Our Ships Came In (Daily SF)

David Wellington, “Mummy Fever” (Spirits Unwrapped)

Kathryn Weaver, Darling (Metaphorosis)

John Wiswell, The Lie Misses You (Cast of Wonders)

John Wiswell, The Tentacle and You (Nature Futures)

Fran Wilde, A Catalog of Storms (Uncanny)

Fran Wilde, The Unseen (Fireside)

Xia Jia, Goodnight Melancholy (Broken Stars)

Caroline Yoachim, Just Coffee, Every Morning (Daily Science Fiction)

Caroline Yoachim, A Wedding Gown of Autumn Leaves (Daily Science Fiction)

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City of Stone and Silence, by Django Wexler

Review copy provided by the publisher. Also Django and I have taught workshops together and generally hung out at cons etc. I have his and his wife’s Christmas card right here.

This is the sequel to Ship of Smoke and Steel, and while I think it would stand alone fairly well practically, a lot of what’s missing here that was there in the previous volume is…the monsters and the magic. A lot of those things are in this book by implication, brought in by their more extensive presence in the previous book, so this one can focus more on character relationships and further development of the worldbuilding.

I would hope it would go without saying that this is no bad thing? But what it is, to my way of thinking, is a reason to read the first book first, to not attempt to pick up mid-series and hope to have the relationships and stakes handed to you on the fly, when the first book actually takes the time to lay them out for you and give you that arc.

Some of the late-book twist is…a known trope, which is not inappropriately deployed here, which remains nevertheless not my favorite trope, but I know some people love it. It’s a genre-crossing fave for a great many people, and I don’t want to be too spoilerific about it, but if there’s a particular SF/fantasy bender that bugs you more than spoilers bug you, message me and I’ll talk about it. I don’t think Django does it badly, I hasten to add, it’s just a thing that doesn’t excite me nearly as much as the character relationships do. I’m really glad that this is a book with the strong motivations it has, the focus on how and why these people care about each other turned up to basically eleven on every page. That’s worth far more to me than more giant crab fights. Even if I missed the giant crab fights a little.

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Books read, late December

Eleanor Arnason, Hwarhath Stories: Transgressive Tales by Aliens. Kindle. The artist aliens worked better for me than some of the others. This feels to me like the sort of science fiction about gender that works better as a stepping stone than as an edifice–but I’d rather that we think of a lot more things that way, that we value where it gets us than try to treat it as eternal. And I do like the ongoing attempt at alien perspective here.

Janice Boddy, Wombs and Alien Spirits: Women, Men, and the Zar Cult in Northern Sudan. This is an ongoing anthropological study of the social forms and services of possession in a particular Sudanese village. The author goes into some detail on genital mutilation practice and how it relates, so that’s a hard chapter to read, but necessary for context, and the rest of how religion interrelates with both local and nonlocal culture is fascinating here.

Stephanie Burgis, The Princess Who Flew With Dragons. The last in its trilogy, young philosophers of multiple species arguing about power in ways that should be accessible to 10-year-olds, while running around caverns and soaring through the skies. Great fun, just what I needed, hurrah.

Martha Collins and Kevin Prufer, eds., Into English: Poems, Translations, Commentaries. This is a very unwieldy physical object, because its conceit is that it has the original poem, then three translations, all side by side, so it is basically double-wide, one two spine three four. And then there is commentary after. The editors have gone to some trouble to get three different translations, rather than just three translators of similar ideas, demographics, time frames; the poems are from all different languages, so the commentary is from different people, and if one set of commentary makes you hrmmm skeptically (probably at least one will), there will be another set for the next poem. I love this sort of thing, and I love this thing, but you definitely want to read it at home on a dry surface, not on the bus or in the bath or on a boat or with a goat or…yeah. It’s a very cool weird thing to do.

Terrell F. Dixon, ed., City Wilds: Essays and Stories About Urban Nature. This is an extremely mixed bag, not just in format but in content. I sometimes marvel at what kind of editor wants bell hooks and someone incredibly sexist in the same volume. Why? But editors are mysterious, and there were some lovely passages about different kinds of small nature particularly, tiny animals neatly observed, very personal.

Ellen Kushner, Swordspoint. Reread. I think the thing that hit me very hard on this reread was Alec as stifled scientist. How that is very clearly in the text and almost all of it offstage–and the entire Mad Duke persona proceeds thereby. He has been thwarted in his pursuit of knowledge, all his misbehavior, everything, the entire Tremontaine saga comes from the powers that be taking scientists and grinding them under their heels–almost completely offstage. This was not the first I read of its series, so I didn’t come to it with that perspective initially, and it hit me like a ton of bricks this time. Dramatic and picturesque sad boys are much more effective on me when they’re for science.

Rose Macaulay, The Making of a Bigot. Kindle. Yet another example of Rose Macaulay not doing the same thing everyone else is doing. This is a book about an earnest young man who can honestly see the good points in everyone’s point of view and how he is closed into not doing that. It is, like many of her other works, a quite funny tragedy. Like several others, it makes me want to introduce her to my friends and protect her rather fiercely from the world she lived in. (We’re just over the ridge, Rose, you can almost make it….) Her mimetic universe is like watching someone die of an infected cut knowing that there’s a usefully moldy sandwich in the next room. Lordy. I will flag that I am removed enough from her context that I cannot entirely tell what is meant by the very brief sections of interracial relation, whether the characters are meant to be satirized for being patronizing or for trying to have friends of different races at all; if the latter, ew, Rose, cut it out, and this ambiguity may not be worth sitting through for you depending on your own context.

Laurie Marks, Water Logic. The elements flow on, and I have gotten as far as water, which is as nonlinear as one might expect. I knew that I didn’t know where this one was going, and I was satisfied with that. I feel very restrained that I didn’t dive on air the minute this one was done. Soon.

Hilary McKay, The Time of Green Magic. I am startled to say that I really like Hilary McKay’s mimetic work better. This was fine, even moderately entertaining, but the fantastical element took a very clear backseat to the mimetic elements and yet stood in for a lot of the McKay wry humor, in my estimation. And I would like both please. Or if not both, I would keep the humor; I can write fantasy myself, and read it lots of places. Ah well.

Lydia Millet, The Fires Beneath the Sea. I am not entirely convinced that Millet has read any middle-grade other than Madeleine L’Engle before she wrote this. No, that’s not fair, there’s probably Susan Cooper or somebody for the bad prophetic poem element. I hasten to add that this did not make for a bad reading experience in the slightest, that “it is 2010 and I want another Madeleine L’Engle novel, this time with environmental themes, so I guess I’ll have to write one myself” worked out reasonably well for me in this case. Better, in fact, than you’d predict. Even with the extremely jarring otter in the first chapter (look, otters were my dad’s thing, it was…a lot for me). It’s just…mostly you expect a professionally published novel not to be quite so much I Read Madeleine And Here’s What I Learned, and yet here we are, and I’m good with it.

Lina Rather, Sisters of the Vast Black. Nuns in a living spaceship–the spaceship reminded me a bit of Nicky Drayden’s in Escaping Exodus but had to have been a matter of convergent ideas–and dealing with personal faith, imperialism, and science. This was right up my alley. Novella, so it won’t take you too long.

Elif Shafak, The Architect’s Apprentice. This is a lovely historical Turkish novel about architecture and elephants and love and politics. I will be interested in reading more by Shafak, who’s new to me but not to the literary world–I love having back catalog to explore. Caveat: while the Romany people are treated generally positively, I don’t know how culturally accurate the portrayal is of Turkish Romany of the period, honestly do not know as this is not my field of expertise. But they’re not the main focus of the book, and in the rest there is some interesting borderline fabulism and a lot of historical flutter, which I enjoy.

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Present Writers: Laurie Marks

This is the latest in a recurring series! For more about the series, please read the original post on Marta Randall, or subsequent posts on Dorothy Heydt, Barbara Hambly, Jane Yolen, Suzy McKee Charnas, Sherwood Smith, Nisi Shawl, Pamela Dean,Gwyneth Jones , Caroline Stevermer, Patricia C. Wrede,Lois McMaster Bujold, Nancy Kress,Diane Duane, Candas Jane Dorsey, Greer Gilman, and Robin McKinley.

One of the great things about doing this series is that it encourages me to research the authors I’m writing about. I was fully prepared to write about how Laurie Marks’s Elemental Logic series, by itself, is worthy and awesome and I am so glad to be reading it, I am so excited to have more of it ahead. Because it is about how different people think logically and how we need each other, how different modes of thought fit together and how people with similar modes of thought often come to quite different conclusions, and all these lovely things fit into a fantasy model incredibly well–fantasy is an utterly great way to illuminate these things.

And then I went and looked, and she’s done other books I haven’t even heard of.

What an opportunity I have in front of me! In addition to enjoying this series–in addition to hoping that I can encourage you to be, as we say on the internet, one of today’s lucky 10,000–I am myself one of today’s lucky 10,000.

I love doing this project.

Anyway! So! Diversity of human brain types! In a fantasy matrix! In the context of colonialism and governance and cultures finding ways to live together! And with magic! This is a “yes she can sing, yes she can dance, but can she juggle” author, all in just one series, and apparently there’s more. I can’t wait for more.

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Books read, early December

Yves-Marie Berce, History of Peasant Revolts. This is actually not what it says on the tin, it’s a history only of the peasant revolts in France in the years leading up to the French Revolution, and actually mostly in Acquitaine, with only a few notes about other regions and their similarities and differences. I still find that interesting, but the narrower focus is definitely worth noting. Berce seemed to have the firm conviction that he would never be considered a peasant, which is not a conviction I share, so that grated in some places as well. Worth having but also worth supplanting and/or supplementing.

Chaz Brenchley, Dust-Up at the Crater School, Chapter 24. Kindle. The final chapter of this serial, bringing the threads of this book together for a conclusion that happened to be quite appropriate to the season in which I’m reading it, in its own Martian way.

Stephanie Burgis, Kat, Incorrigible, and Olivia, Invisible. (The latter on Kindle.) This is a charming and magical middle grade novel and the tie-in short story about the daughter of the protagonist of the novel. There are fancy dress balls, house parties, sibling fights, and bits of magic gone completely wrong. They’re rollicking good fun, and I can’t wait to read the rest of the series.

Mary Cagle, Sleepless Domain Volume 1. This is the beginning of a comic that’s very heavily influenced by anime. It’s full of magical girls with a diverse set of powers, attending school together to better facilitate their schedule in protecting their city. This plot arc is just getting started.

Aliette de Bodard, The House of Sundering Flames. The last in a trilogy, with lots about parenthood and protection, decay and hope. Definitely don’t start here, but I’m so glad to have gotten here in the end.

Nancy Goldstone, Daughters of the Winter Queen: Four Remarkable Sisters, the Crown of Bohemia, and the Enduring Legacy of Mary, Queen of Scots. Oh seventeenth century Germany. Oh Stuart England. OH JAMES I AND VI NO. No matter what you think you know about what a jerk James I and VI was, there is always more jerk for that man to be. Always. But there were loads of interesting and (at least somewhat) competent Stuarts running around not being monarchs of England and Scotland, and this is good stuff about them. If you’ve looked at The Triumph of the Winter Queen in the Boston Museum of Fine Art, this is them. If you’ve read Neal Stephenson, this is them. Descartes shows up, Liebniz shows up, Northern Europe was very small at the time. There’s room for the Defenestration of Prague in here and still time to stop off to paint self-portraits. Good fun.

Guy Gavriel Kay, A Brightness Long Ago. Do you like Guy Kay books? This is one. I wouldn’t rank it among the most brilliant of his offerings unless you are passionately in love with Florence and possibly not then (I am not, so I can’t judge), but there are lovely moments in it, and I do, in fact, like Guy Kay books, and so look, here’s one, I read it, I’m not at all sorry. I love what he does with thinking about what it would be like to be at various moments in history, but sideways enough that he can do his own things with them.

Carmen Maria Machado, In the Dream House. This was extremely compelling and horrifying, the memoir of an abusive relationship in very short chapters, vividly written, self-aware, self-contained, alarming. I was glad to read it and glad to be done reading it.

Judith Merril, Homecalling: The Complete Solo Short SF of Judith Merril. I’d read a lot of this already, but I’m really glad to revisit it and have it all in one cover. It has all the flaws it always had but also all the virtues. I love her so much. I want to go back in time and fetch her and show her what we’ve done.

Daniel Jose Older, Dactyl Hill Squad: Freedom Fire. Second in its series of middle grade books about children of color fighting the US Civil War for the Union, using their telepathic connection to pterodactyls, in an alternate universe full of dinosaurs. Full of fun but also full of serious stuff, as Older has no intention of treating the Civil War as apolitical as well he should not.

Joy Lisi Rankin, A People’s History of Computing in the United States. Short, pithy, focuses on who used computers at various stages and how that use shaped their further development, what barriers and assumptions that use and development encountered. An interesting counterweight to more common narratives where single individuals developed vacuum tubes in, er, vacuums.

Troy L. Wiggins, DaVaun Sanders, and Brandon O’Brien, eds., Fiyah Issue 12. Kindle. Another strong and interesting issue, this one themed around Chains. My favorite story was “The Midnight Host,” by Gregory Neil Harris.

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In lieu of magic, layers

“I’m not doing the pepparkakor this year, I can’t,” I said, and everyone in the family had different reactions. My mother asked if I wanted her to do them. (No. Dad and I were the only ones who ate them really, and I only ate one. Throwing away a batch of pepparkakor minus one would be so much worse.) But Timprov said, “But you’re still doing the lussekatter, right? I think we all need them.”

Yes. I still did the lussekatter.

We all still do need them.

We need them a lot this year.

It’s been unseasonably cold early here in Minnesota–we’ve had January-typical temperatures starting in November–which is the pathetic fallacy if I’ve ever seen it. It’s so much colder this year. The world is so much colder. Well. Yes. I’ve been standing in front of the oven when I take bread out, letting the residual heat dissipate directly into me. I’ve been wearing layers early–I think my long-sleeved shirts got about three days of time on their own before it was constant sweaters, fleeces, everything in layers.

Those of you who have been coming around a lot know that Christmas Eve day was always my time for just me and my dad. This year I’m making up a new bread recipe, an apricot chocolate babka, which is based on a plain chocolate babka that uses up basically every dish in the house and totally demolishes the kitchen, but with *even more* layers of decadent goodness. And effort. And mess. (Christmas dinner is not at my house.) I’m going to do that rather than having someone try to be Substitute Dad, rather than trying to recreate the old plans without Dad who was so central to them. So there are going to be two sets of special bread in this month, and I think I need both.

It’s a lot of work, though. Fighting through the dark in hopes that there will be light again somewhere if we just keep working for it hard enough is a lot of work. The rest of the world at large isn’t any brighter than it has been–in some places this morning quite a bit worse and I’m so sorry–but I’ve been writing these posts since 2006 and this is the darkest it’s been so far for me personally. When I preface wry or struggling comments with “Since my dad died,” I can kind of get people to remember that. When I don’t, I get pushback of the “I would expect you to be more cheerful!” kind. I get that a lot.


Because…grief doesn’t change the general shape of our relationships with people. So if the general shape is “we are mutually supportive friends,” there can be ebb and flow there, it’s all good. But if the general shape is “I provide light, you soak it up,” well, get with kneading that saffron bread, lady, that is your job here. That is what you are here for. Why are you not doing your job.

A lot of years I use these posts to be grateful for those who have brought light to me, and I am, oh, I am. I have needed some of those who have been there for me this year, and I know some of them have needed me too. We have clung together on this little raft when we expected to be on dry land. But…I feel like there’s a taboo around saying that some people have brought some of the darkness too, beyond what grief itself has brought us. Beyond what fear and political upheaval and all the other things have brought us, there are the people who treat us like commodities. Because we always fought to bring the light back before.

Well, and I’m trying to do it again. I’m burying my hands in the dough, I’m revising the words, I am doing the work. I am trying like hell to do the work. And to keep sorting out which bits of the work are really necessary and which bits I can just…let rest for a minute, a year. But I am not a commodity, I’m a person who is grieving. My mother is a person who is grieving. The answer we keep giving in this dark year, whenever anyone asks how we’re doing, is, “We’re doing the best we can.”

Today the best we can has to involve lussekatter. In a few weeks, an experimental babka. It also involves my current practice of reaching out to others who are grieving, ill, divorcing, or otherwise struggling–in general, but particularly when I’m angry at those few people who are not there for my mother in the ways they said they would be. That’s the best I can do: to not be them. To take their examples as an opportunity to do better, even when I am so very tired.


But also the best I can do today is say out loud: it is dark, and it was a lot of work making this bread, and I am really, really tired, and I could use some light. I need help with this. I can make the bread alone. (It rose enormously this year.) I cannot make this light alone. This darkness is a long road, and I am not out, and this bread is not magic. Neither are the words, “How are you? I’m thinking of you.” But until we get magic, we’re going to have to layer not-magic on not-magic until we’re warm enough to go on. They say it’s warmer if you keep moving. We can hope that’s right. We can stand by the oven and inhale the saffron and warmth and wait until it’s just barely cool enough to eat. Because this year we need this. Don’t forget we need each other.

Happy Santa Lucia Day.

2018: https://marissalingen.com/blog/?p=2376

2017: https://marissalingen.com/blog/?p=1995

2016: https://marissalingen.com/blog/?p=1566

2015: https://marissalingen.com/blog/?p=1141

2014: https://marissalingen.com/blog/?p=659

2013: https://marissalingen.com/blog/?p=260

2012: https://mrissa.dreamwidth.org/840172.html

2011: https://mrissa.dreamwidth.org/796053.html

2010: https://mrissa.dreamwidth.org/749157.html

2009: https://mrissa.dreamwidth.org/686911.html

2008: https://mrissa.dreamwidth.org/594595.html

2007: https://mrissa.dreamwidth.org/2007/12/12/ and https://mrissa.dreamwidth.org/502729.html

2006: https://mrissa.dreamwidth.org/380798.html — the post that started it all! Lots more about the process and my own personal lussekatt philosophy here!

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My year in writing review, 2019

Honestly this is a very weird one for me to write, because this year split down the middle for fairly obvious mental reasons. A major loss that changes your life will make it feel like you’ve had two very different years in one, so looking back and saying, “Really? that was this year?” Well, really, self: it was. I have really written two middle-grade novels and a novella this year, and an assortment of essays, poems (?! when did that happen?), and stories. I would give an exact count, but it’s only December 9, and the odds that I finish something else short before December 31 are fairly good, so let’s say…at least fifteen pieces of fiction shorter than a novella, as of right now.

If you said to yourself “throwing herself into work,” you would not be far wrong. But mostly it has been in a very good way, in a positive and inspired way. In a year when one of the things I wrote is my dad’s eulogy, I’m pretty proud of not just what I’ve written but the spirit I’ve written it in. I’m making myself a lot of revision work for the second half of the year and for 2020, but that’s all right too. (Even though I am also eager to write more new things. And have some clear ideas on that front.)

As for what’s been published, buckle in, it’s a list. On the fiction side, I got to continue to work with editors I have enjoyed working with very consistently before and also get familiar with a few new faces. Here’s what I was up to:

“The Thing, With Feathers,” Uncanny, Jan/Feb 2019.

“The Deepest Notes of the Harp and Drum,” Beneath Ceaseless Skies, January 2019.

“Painting the Massive Planet,” Analog, May/June 2019.

“Wrap Me In Oceans Wide,” Strange Horizons, 17 July 2019.

“How We Know They Have Faces,” Nature, 24 July 2019.

“Purposeful,” Daily Science Fiction, October 2019.

“In the Ancestor’s New House,” Spirits Unwrapped, edited by Daniel Braum (Lethe Press).

“Filaments of Hope,” Analog, Nov/Dec 2019.

“Family Album,” Nature, 13 November 2019.

I also had fiction reprints in print and podcast format and translations into Chinese and Spanish. I appeared on podcasts. I got interviewed. I sang, I danced, I juggled. (Okay, I did not actually juggle. I sing and dance a lot. It’s a thing.) Meanwhile in nonfiction, in addition to this blog I continued to write a little more for other places, and I like it:

That Never Happened, Uncanny Issue 27 (March/April 2019).

Beyond Cinderella: Exploring Agency Through Domestic Fantasy, Tor.com, 2 May 2019.

Beware the Lifeboat, Uncanny Issue 29 (July/August 2019).

I have a couple of things coming out in January, with more beyond that, and of course a lot of what I wrote in 2019 is either on submission or being prepared for submission. There’s a lot of momentum here, is what I’m saying. And that’s a good thing.

Happy reading.

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Books read, late November

Neal Ascherson, Black Sea. This is a general history of a region that needs wayyyyy more than a general history. However, a general history is a start, and having some thoughts about, for example, fishing in the Black Sea in different eras, seems like a good thing. A brief intro to who the Greeks regarded as barbarous in the region and what line they drew is pretty instructive about what was considered barbarous elsewhere in the world in Hellenophile cultures. And so on: not a good last book to read on this, a pretty okay first book.

Daniel Braum, ed., Spirits Unwrapped. I make a policy of not reviewing things I’m in, and I’m in this.

John Crowley, Reading Backwards. Discussed elsewhere.

Kameron Hurley, Meet Me in the Future: Stories. This is my favorite thing of Kameron’s in a long time–lots of different tastes of her range of style and topic. Some of it is heart-breaking, some of it is alarming, all of it is Kameron, what a great place to start with her work–or keep going, if you already started.

Dan Jones, The Plantagenets: The Warrior Kings and Queens Who Made England. I don’t think Dan Jones writes his own subtitles, because this book was a lot more like The Plantagenets: Oh My GOD What a Terrible Idea the Monarchy Is. I mean, I came in with that baggage, but I really don’t think Jones is in any kind of disagreement with me. It’s kind of heartbreaking watching the English people stagger through “we’ve got a really good form of government now…no wait, it’s not working, try turning it off and turning it back on again…why is it…I’m pretty sure it’s ordained by God this time….” Full of good juicy stories especially when you’re clear that it’s about the Plantagenets, not the Plantagenet era. I mean, I’d prefer Mercians and Saxons, but you take what you can get in these troubled times.

Naomi Kritzer, Catfishing on Catnet. Discussed elsewhere.

Rose Macaulay, The Towers of Trebizond. This is one of the saddest books I’ve ever read. It’s funny enough in spots that I laughed out loud (and usually I am an “I’m laughing on the inside” northerner), but the entire emotional and especially intellectual core of the book is profoundly sad despite all that. As much as I’m a gigantic fan of Macaulay’s work, and oh, I am, I wouldn’t put this very high on my recommendation list not mainly for that reason but also for the reason that I expect a lot of modern readers are less enthusiastic about dealing with mid-century Church of England missionaries and their inevitable prejudices in their pleasure reading, even if a great many of those prejudices are thoroughly satirized. There are beautiful things here, I just wanted to kidnap Macaulay and bring her to stay with people who do talk a great deal about good and evil but not primarily in an early 20th century Church of England framework. You could almost have gotten to that world, Rose my darling. It was over the next ridge. Oh Rose. Now I’m going to take a break from writing my book post and have a cup of tisane and try to get over not being able to have Rose Macaulay and George Eliot to my mother’s for Thanksgiving again. It’s an ongoing process.

Laurie Marks, Earth Logic. I came late to this series but am really enjoying what it’s doing with different cultures trying to coexist with varying degrees of success, and how that’s overlaid with different individuals with their personal kinds of thought trying to coexist. Being an air person doesn’t mean you will get along well or agree with another air person, no matter how much earth logic makes you want to throw up your hands; how human and how humane this series is, and how full of ramifications, and everyone knows how I love ramifications. I can’t wait to get to the later volumes.

Garth Nix, Goldenhand. This brings together previous threads in the series. Nix is good at monsters and creatures. I enjoyed it, but I don’t know that it’s a good starting place; I don’t think it’s meant to be. If you haven’t done the whole Sabriel series, probably don’t start here, but if you have, it’s worth the time.

Mary Oliver, Blue Iris: Poems and Essays. This is one of her more plant-specific collections, and where it’s not plants it’s nature. Short and pithy and worth reading.

Pauline Stafford, Queen Emma and Queen Edith: Queenship and Women’s Power in Eleventh-Century England. This was a really lovely book about two queens of the early English period and the world and expectations around them. There was in-depth stuff about who worked for them and in what capacity, what they were called upon to witness and why…nerding out about medieval queenship, hurray.

Lynne Thomas and Michael Damian Thomas and for the last issue Michi Trota in the nonfiction spot, eds., Uncanny Magazine Issue 31. What a solid issue, oh, how good. It helps, of course, to have Elizabeth Bear’s novella “A Time to Reap” taking quite such a large percentage of word count instead of something worse–but there was also “Nutrition Facts” by D.A. Xiaolin Spires and Jenn Reese’s “A Mindreader’s Guide to Surviving Your First Year at the All-Girls Superhero Academy” on the fiction side, and then Jeannette Ng’s “As You Know, Bob…” for nonfiction, just for the things that leapt out at me, so really, quite a lovely issue.

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ConFusion schedule

Hurrah for advance planning! I am going to ConFusion in Novi, MI (Detroit suburban area) January 16-19, 2020, and here is the schedule of where you can find me there:

Managing and Overcoming Professional Burnout Friday 1:00PM Charlevoix The Mayo Clinic defines burnout as “a state of physical or emotional exhaustion that also involves a sense of reduced accomplishment and loss of personal identity.” It can affect people of all professions, but it presents particular dangers to creatives, whose work is often tied closely to personal identity. Our panel will discuss how to spot the signs of burnout, how to manage it, and how to overcome it. Marissa Lingen (m), Pablo Defendini, Ken Schrader, Kameron Hurley

Speculative Social Media in Science Fiction Saturday 5:00PM Charlevoix Thinly-veiled or even overt references to popular real-world social platforms are common in modern media–including in speculative stories like superhero tv shows and movies. But speculative worldbuilding often calls for a re-imagining of how humans interact–would the social media of the United Federation of Planets really look like ours? Or would a peaceful interstellar society be more likely to arise in a world where Google Reader never died? How can writers incorporate new visions of social media that reflect their speculative worldbuilding? Marissa Lingen (m), John Chu, Jennifer Mace, Annalee Flower Horne, Brandon O’Brien

Reading: Marissa Lingen, Tim Boerger, John Wiswell Sunday 10:00AM Saugatuck Marissa Lingen, John Wiswell, Tim Boerger

Great Lakes and Inland Seas In Secondary Worlds Sunday 12:00PM Isle Royale It’s hard to really get a sense of the scale of the American Great Lakes if you’ve never stood on one of their shores. Those of us used to thinking of lakes as more akin to very large ponds are often surprised by the dunes, the waves, the wind, the distant horizon. Writers who know the lakes offer advice on how to incorporate great lakes and inland seas into our fantasy worlds–as a narrative setting, what separates lakes from oceans? What unique or surprising storytelling opportunities do lakes provide? Anthony W. Eichenlaub (m), Marissa Lingen, Phoebe Barton, John Winkelman

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Reading Backwards, by John Crowley

Review copy provided by the publisher.

This is a mixed volume of essays and reviews, and the reviews are the kind of reviews that are more essay than straightforward booknote. While the topics vary, the trend line of Crowley’s personal life means that the personal essays tend to veer literary and artistic anyway–with the exception of those that focus on end-of-life issues, which in some ways are the strongest in the book, the most compassionate and the most able to step outside their own perspective.

Because perspective is both the strength and the weakness of this volume. Crowley is, as you know if you’ve read any of his novels, an extremely erudite writer with a fluid prose style. Reading his essays is a window into that person, and mostly that is an extremely relaxing and enjoyable experience.

The problem comes in when there are places where he has failed to consider perspectives unlike his own to a degree that can make some of them feel blinkered–for a sentence, perhaps, in some cases, or for entire passages–and then I wrinkled my nose, drew back, wished that someone, at some point in his long life, had suggested to him that his might not be the only point of view worth considering. From casual sexist asides (“mentrix,” really? snark about how people used to raise their own children?) to book summaries that ham-handedly put the onus for racism in entirely the wrong place, there are all too many moments where a broader perspective would have improved the work immensely.

Fortunately and unfortunately, the collection got better as it went on. I’m glad I got past Crowley blithely asserting that everything is basically handled for wheelchair accessibility in US cities (what, no, that is not true) and apparently having no introspection about what it might mean to have lied about his sexuality to get out of the Vietnam War considering what toll the reality of that sexuality took on actual friends of his, because he did have other things to say that were very much worth hearing. But if you find those early essays too high a barrier to entry and find somewhere else to look for discussion of end of life care or the works of Richard Hughes, I can’t say I’ll blame you for that either. This is a very mixed bag indeed.